Guide to Curriculum Units by Fellows of the Yale National Initiative 2023

Preface

In March 2023 the Yale National Initiative to strengthen teaching in public schools® accepted teachers from fourteen public school districts in nine states to participate in five national seminars led by Yale University faculty members. The Initiative is a long-term endeavor to influence public policy on teacher professional development, in part by establishing exemplary Teachers Institutes for high-need schools in states around the country.

Teachers Institutes are educational partnerships between universities and school districts designed to strengthen teaching and learning in a community’s high-poverty, high-minority public schools. Evaluations have shown that the Institute approach exemplifies the characteristics of high-quality teacher professional development, enhances teacher quality in the ways known to improve student achievement, and encourages participants to remain in teaching in their schools.

Twenty-eight of the teachers, named Yale National Fellows, were from school districts that are planning, restoring, or exploring the establishment of a new Teachers Institute for Chicago, IL; Pittsburgh, PA; Richmond, VA; San José, CA; Tulsa, OK; and locations in Texas. Other National Fellows came from existing Teachers Institutes located on the Navajo Nation, AZ; and in New Castle County, DE; New Haven, CT; and Philadelphia, PA. Overall, half of the National Fellows are participating in national seminars for the first time.

The National Fellows attended an Organizational Session of the seminars held at Yale on May 5-6. The seminars reconvened on campus during a ten-day Intensive Session from July 10-21 and concluded in mid-August when the Fellows submitted their completed curriculum units. The five seminars were:

  • “Histories of Art, Race and Empire: 1492-1865,” led by Timothy Barringer, Paul Mellon Professor in the History of Art;
  • “Writing About Nature,” led by Jill Campbell, Professor of English;
  • “Transitions in the Conception of Number: From Whole Numbers to Rational Numbers to Algebra,” led by Roger Howe, William R. Kenan, Jr. Professor Emeritus of Mathematics;
  • “Environmental Justice,” led by Jordan Peccia, Thomas E. Golden, Jr. Professor of Environmental Engineering; and
  • “Nature-Inspired Solutions to Disease Problems,” led by Paul Turner, Rachel Carson Professor of Ecology and Evolutionary Biology.

The purposes of the program are to provide public school teachers deeper knowledge of the subjects they teach and first-hand experience with the Teachers Institute approach to high-quality professional development. This reinforces their leadership in an existing Teachers Institute or prepares them to lead the development of a new Teachers Institute. Each teacher writes a curriculum unit to teach their students about the seminar subject and to share with other teachers in their school district and, through our website at teachers.yale.edu, with teachers anywhere. The curriculum units contain five elements: content objectives, teaching strategies, examples of classroom activities, lists of resources for teachers and students, and an appendix on the district academic standards the unit implements. In these ways the curriculum units assist teachers in engaging and educating the students in their school courses.

The curriculum units National Fellows wrote are their own; they are presented in five volumes, one for each seminar. We encourage teachers who use the units to submit comments online.

The Yale-New Haven Teachers Institute® is a permanently endowed academic unit of Yale University, which undertook the National Initiative in 2004.

James R. Vivian

New Haven

September 2023

Histories of Art, Race and Empire: 1492-1865

Introduction by Timothy J. Barringer, Paul Mellon Professor in the History of Art

The seminar began with a question: How can we use works of art to explore difficult histories and better understand present-day issues in historical perspective?  We often associate looking at works of art as a pleasure, one typically enjoyed by elite audiences. But if we look closely and carefully at paintings, drawings, prints and photographs—and even works such as maps and magazines not usually considered to be ‘art’—we can all find powerful traces of the beliefs and practices of earlier generations. Looked at this way, museums become as important as libraries and websites for understanding the past.

Histories of Art, Race and Empire: 1492-1865 addressed a key question of our times: how have race and ethnicity been understood throughout the history of North America, and how can works of art help us understand and critique this history? Each Fellow brought a different perspective to this, as well as distinctive training, expertise and knowledge rooted in local communities. We began with a round-table discussion in which all the Fellows reflected on the demographic and political contexts within which they were working, revealing a patchwork of differing experiences sewn together by deep concern for a generation of students who had experienced the Covid-19 pandemic and the profound racial reckoning immediately occasioned by the murder of George Floyd on May 25, 2020, but reflecting decades, indeed centuries, of inequality.

The seminar made distinctive use of original historical materials available on Yale’s campus, in New Haven and elsewhere in Connecticut, to explore these troubling questions. We spent the second half of every session in either the Yale University Art Gallery or the Yale Center for British Art, confronting and discussing works on the basis of readings and classroom discussion in the first half of the session. The intention was not to limit the relevance of curriculum units to those teaching within reach of Yale – quite the opposite. All the images of works in Yale’s collections are available on line for use by anyone, anywhere, free of charge. Rather, the idea of the seminar was to model the importance of working with real historical items, a practice suggesting the possibilities for teachers across the country to use local museum collections and historic sites for teaching. We focused on how to look closely and critically at images, objects and buildings in order to enhance students’ historical and social understanding, their ability to relate past to present and to take the visual and material deposits of history as seriously as the written word.  In a world where images on screens are dominant, skills of visual analysis and critique are ever more crucial.

Museums are by no means neutral institutions, however, as Amanda Pigott McMahon demonstrates in her curriculum unit Curator as Detective: Looking for Missing Stories in Museums. A series of ingeniously designed projects and classroom exercises encourage students to uncover the history of museum collections and to challenge the ideologically freighted presentation of the past. Questions of restitution, not just of human remains, but of culturally sensitive or looted items, are a hotly contested topic in contemporary museology and Amanda’s curriculum unit allows high school students to participate in that critical thinking.

We began by looking at the history of the British Empire, beginning with early efforts at colonization and encounters with Indigenous Americans in the sixteenth century.  Here we turned to works of art created by Indigenous people as well as representations of Indigenous life made by explorers and settler-colonists. In her curriculum unit offering imaginative new approaches to The Crucible for high-school students, Tara Cristin McKee turned to early American material culture, to colonial domestic objects and to early printed ephemera such as witchcraft pamphlets.  These objects vividly enshrine the lived experience of people in seventeenth-century America, reflecting the hardships of life and the profoundly-held beliefs of the settlers. The denunciation of witches (“a girl gang like no other” in Tara’s witty phrase) found obvious parallels with the horrific bullying rhetoric so common in social media today. The distance between the 1690s and 2020s can seem to melt away.  JD DeReu’s curriculum unit similarly mobilizes the visual as part of a powerful strategy to engage students with the life, and the words, of an enslaved woman of the British Empire, Mary Prince. By supporting and enhancing The History of Mary Prince with a range of visual imagery, JD’s aim is that students will “see the enslaved people as individuals worthy of empathy, develop a respect for their struggle, and recognize the contribution they made to the trans-Atlantic world.” His curriculum unit is effective in its inclusion of the recent history of Confederate monuments in Richmond and the work of graffiti artists as a commentary on racial politics in our time. These contemporary events speak directly to the questions raised by Mary Prince’s writings of two centuries ago.

Indigenous experience in North America is the key to a powerful curriculum unit developed by Jennifer Tsosie, a member of the Diné Nation who turned to photographs of the Navajo Long Walk of 1868. Confronting these moving, beautiful but often tragic images serves as a way to allow today’s Navajo children to engage with, and empathize with, the experience of their forefathers. As Jennifer explains, “Navajo children on the Navajo reservation live in two cultures; traditional Navajo and westernized U.S. culture. They have to navigate, function, and incorporate the two worlds.” Art and material culture, craft traditions and inherited symbols and designs, can enhance the sense of traditions continuing and thriving in modernity.

The seminar’s discussions covered a broad sweep of time and Raymond Marshall’s curriculum unit, “Colours of Humanity: American representations of the ‘Other’” takes up the challenge of a longue durée, examining the representation of Indigenous life, as seen through both art by the colonial powers and by Indigenous peoples in North America and Africa. By presenting a carefully curated corpus of objects and images, the curriculum unit allows students to consider how visual representations serve to define, and sometimes to disrespect, people whose positionality places them as an “other” to the dominant or aggressive power.  Melissa Muntz’s curriculum unit, addressed to students in US History and Ethnic Studies, likewise juxtaposes the experience of Black and Indigenous people since the founding of the United States. The unit, “Clothing and Identity in Early America: Black Women and AmerIndian Men,” makes extensive use of visual documents. It teaches high school students to look closely at images that could easily be swiped aside with a finger on a touch screen, and to find encoded in them traces of historical constructions of both race and gender. It draws attention to clothing as an expression both of shared culture and of individuality. The unit teaches students that images do not simply mirror the appearance of things and people in the past, but rather bear the ideological imprint of the artist and the social point of view of dominant fractions of society.

The seminar looked beyond the landmass of North America. We discussed histories of slavery in the Atlantic, noting Paul Gilroy’s formation “the Black Atlantic,” a space of violation and forced migration, but one, too, where new diasporic cultural forms were born. Brittany Zezima Dilworth’s curriculum unit, fostering the teaching of French to middle school students, looks to the Francophone Caribbean and Africa not as peripheries to the “center” in France, but as a dynamic global region with a lively visual culture. Describing vibrant works of art such as Laurent Casmir’s Carnaval Haiti will allow students to develop their use of adjectives and skills in describing.

Visual materials can provide a stimulating device to encourage students to engage with and interpret literary texts. Thinking through the challenges and rewards of teaching in an “overwhelmingly Black school” in West Philadelphia, TJ Holloway’s richly theorized curriculum unit explicitly recognizes that “in our present moment, image and narrative are sites of struggle.” The unit juxtaposes Othello (c.1603) by William Shakespeare with works of art including The Miracle of the Relic of the True Cross on the Rialto Bridge by Vittore Carpaccio (c.1496), thinking through representations of civic life and the Black figure within that context, in Renaissance Venice and in modern Philadelphia. The course then pivots to a contemporary Indigenous novel, There, There (2018) by Tommy Orange, juxtaposed with paintings by Native American artists. Students will, in response, journal to the question: “Have you ever felt like a target?”.  

In a unit focusing on a single masterpiece of African-American drama, August Wilson’s Gem of the Ocean, 1904, which is in large part a meditation on the legacies of slavery, Renee Patrick Mutunga uses visual materials to evoke and discuss the larger historical context for high school students. Wilson’s play is set in 1904. Some of the iconic materials she juxtaposes with Wilson’s text derive from the era of the slave trade, such as the shocking engraving Description of a Slave Ship published by the London’s Society for the Abolition of the Slave Trade in 1789. Others such as Kerry James Marshall’s Voyager offer contemporary Black artists’ reflections on these traumatic histories. Finally, historic photographs of the Pittsburgh locations that form the setting for Wilson’s play add documentary evidence. The creation of a portfolio of visual comparators opens up possibilities for classroom discussion of the themes embedded in Gem of the Ocean.

Adriana Lopez’s curriculum unit vividly illuminates race relations in the United States from the time of Frederick Douglass to the present, using primary texts from Douglass’s own words to Childish Gambino’s 2018 song, “This is America,” which gives the unit its title. The unit, intended for grades 11 and 12, attends to “Images and Histories of Racism and Exploitation.” By mixing media, from prose essays to Blues songs by Billie Holliday, street photography and contemporary music videos, the curriculum unit brings history vividly to life and explains the deeply-rooted nature of current economic, social and political inequalities. Great care has been given to the teaching strategies that will “strengthen student skills through a variety of thought-provoking texts and materials,” with a particular emphasis on SEL (social-emotional learning).

Many of the teachers in the seminar imagined new ways to bring the visual into a classroom where text was the dominant mode. As an art teacher, Tina Berry’s challenge was to incorporate historical and political issues into studio practice. Her tripartite structure examines representations of black lives across United States history, Antebellum to the present, as seen from Tulsa, Oklahoma. Opening with a study of visual representations of plantation slavery, it moves to the Harlem Renaissance, juxtaposed chillingly with the Tulsa Race Massacre whose memory is still a vivid part of the local community’s imaginary, and concluding with the work of current Black artists. Students are prompted to respond by learning about the media used in the artworks studied: wood engraving, mural painting and textile collage. Here the visual arts offer a means of responding to historical and contemporary questions of identity.

On a personal note, let me conclude by adding that two weeks of intensive discussion of Histories of Art, Race and Empire: 1492-1865 with a group of committed, expert and profoundly engaged teachers offered many revelations and insights that I will carry into my own classroom. We shared discussion of many of the challenges faced by public school teachers in terms of resources, ideological intervention from school boards and students still impacted by Covid-19. But above all I was hugely impressed by the resilience, creativity and commitment to professional innovation shared by an extraordinary group of educators.

Synopsis of the Curriculum Units

23.01.01 - Curator as Detective: Looking for Missing Stories in Museums

by Amanda McMahon

“Museum people are mistaken when they believe museums collect “things.” They collect memories, meanings, emotions, and experiences. Without the “things,” the collections would not exist, but without the memories, meanings, emotions, and experiences, museums would not exist.” - Fred Wilson

Museums are a foundational civic institution. The range and diversity of museums is remarkable. Museums collect, preserve, and present artifacts of cultural and scientific importance, educating the public, aiding researchers, and preserving heritage for future generations. But, like any institution, museums can fail to serve society, and like any institution, if we want them to improve, they can be and should be critiqued.

In this unit, students will be exploring the value of art and the job of a curator by participating in an art auction and then building a museum model for their art. Then, we will explore ethical dilemmas generated by modern repatriation debates by researching how museums acquired select artifacts, including through colonial and imperial violence, and develop and argue their opinions for an ethical resolution for the museum community and the community of origin for the artworks. We will look at the way that curatorial choices help build the narrative of the artwork. By re-curating select artworks through an exhibit of our own design, we will expand the narrative to include more people, because art history reflects the history that affects us all.

(Developed for AP Art History, grades 11-12, and Art 1-2, grades 9-12; recommended for Art 1-4, grades 9-12)

23.01.02 - Using Objects and Artifacts to Understand The Crucible

by Tara McKee

“Double, double toil and trouble; Fire burn and caldron bubble.” The Salem Witch Trials and The Crucible have fascinated students and teachers alike for many years.This play does have it all -- the scandal of an affair, accusations of witchcraft, a girl gang like no other, unfair trials, multiple layers of meaning, and finally, there are the probing questions that get asked by students reading through their modern lens. These questions inevitably turn into heated, healthy discussions of problematic characterization, connections to our current world, patriarchy, racism, and using fear as a means of control. In this unit, I use objects and artifacts to help my students truly grasp the historical context of Salem, Massachusetts in 1692. This visual examination will also help my students understand the emotional intensity of Puritan cultural conformity, which generated a type of hysteria represented in the play. Through this study of the Puritan way of life and the images and rhetoric of witchcraft pamphlets circulating in the 16th/17th century, students will be able to clearly see the oppression, within the Puritan world, of those considered to be “others,” such as people of color, women and those who refused to conform to social norms.

(Developed for IBHL I, grade 11; recommended for IBHL I and AP Language and Composition, grade 11; and AP Literature and Composition, grade 12)

23.01.03 - Using art to interpret The Mary Prince- Narrative of a Slave Woman

by JD DeReu

This unit will bring together art, race, literature, and history in the minds of my students. The unit will start with students analyzing art as it relates to the ugly history of art meant to project racial hierarchies in the early 20th century in order to introduce concepts of art interpretation in a way the students can relate to on a personal level.  From there, the students will read The History of Mary Prince and study works of art that depict aspects of slavery and abolition that relate to events in the story as they read.  The student will improve their reading skills of visualization, artistic analysis, writing, and a attain a greater understanding of the history of America, England, the Caribbean in the 18th and 19th centuries. The students will also see the enslaved people as individuals worthy of empathy, develop a respect for their struggle, and recognize the contribution they made to the trans-Atlantic world.  The students will feel a sense of catharsis as Mary leaves her slave owners for the last time at the end of the narrative.  These skills will be synthesized in a final product,  an argumentative essay in which the students will be given a variety of works of art and then write an essay arguing that one of those pieces should be the cover of the book.

(Developed for English 4, grade 12; recommended for English 3, grade 11, and World History, grade 10)

23.01.04 - The Effect of the Navajo Long Walk Through Photos

by Jennifer Tsosie

The Navajo Long Walk is a historical traumatic event whose story is told generation to generation. From the time of migration to the west, official documentation from the U.S. Government, soldiers, and other officials allows us to piece together a history. We also make our own inquires about what the Navajo People have gone through when trying to be exiled from their homeland. The stories and photographs taken of that time still impact the Navajo People today. Navajo children on the Navajo reservation live in two cultures, the traditional Navajo and westernized U.S. cultures. Some have learned to balance the two, while others still struggle because of this historical trauma. This curriculum unit is designed for sixth grade elementary students. The unit will have students reading, writing and researching while incorporating culturally responsive relevancy. The unit will cover Navajo Nation, Arizona Social Studies, Art and World Language standards. Students will research and analyze stories and photographs about the Long Walk. They will discover that any type of art created have different stories to tell. They will learn about the powerful messages of beliefs and practices of earlier generations that impacted the Navajo People. Students will form their own perception of the event by creating their own artwork to tell about the Long Walk.

(Developed for Navajo Studies, grade 6; recommended for Navajo Studies, grades 5-6, and Navajo Government, Junior High and High School grades)

23.01.05 - Colours of Humanity: Artistic representations of the "Other"

by Raymond Marshall

This course unit will take students through American History, with a particular focus on colonialism in the era of 1492-1865.  The focus will be on comparing, contrasting, and analyzing artwork from both colonial powers and colonized people, especially how they depict one another.  Even those with only a bare bones understanding of art history and analysis will benefit from this unit, as it provides questions and activities to engage your students and guide discussion.  The unit is meant to last approximately three weeks, and is chronologically organized within the three sections.  It first looks at art by the colonial powers, both of Native Americans and Africans, takes a brief detour to analyze the founding principles of the various regions of what will eventually become the United States, and then looks at the same period through the eyes and artwork of the native peoples and enslaved Africans, and in particular their depictions of European culture and people.

(Developed for World History, grade 10; recommended for World History, grades 9-11, and U. S. History 1, grades 6-8)

23.01.06 - Clothing and Identity in Early America: Black Women and AmerIndian Men

by Melissa Muntz

This unit is designed for a US History or Ethnic Studies Class.  Its content is historical images from North America in the Colonial and Antebellum periods. It focuses on two groups of people who do not “speak” loudly in most standard narratives of US History. This unit seeks to amplify the voices of marginalized groups and center their experiences as much as possible.  This unit uses visual images to humanize people who are often “invisible” in the mythology of American history.

The skills goal of the unit is to teach students the tools they need to critically analyze visual information from the past. We need to be as critical of visual sources as we are of written sources. This uncritical use of sources fails to account for the conventions of the time, the ideological position of the artist and the extent to which the person(s) depicted controlled the manner in which they were depicted. Additionally, the language of fashion, and its contemporary associations are difficult to interpret without the historical context. Focus questions for each work are provided at the end of the unit plan.

(Developed for U. S. History Ethnic Studies, grade 11; recommended for U. S. History, grades 10-12)

23.01.07 - La Francophonie Diverse: French Adjective Agreement Through Art

by Brittany Zezima Dilworth

This unit was written as part of 2023 cycle of Yale National Institute. Its purpose is to address the lack of diverse representation of the Francophone world currently found in many novice-level French language curriculums. Written for 8th or 9th graders taking French I, the unit centers on using art from the French-speaking areas of Africa and the Caribbean to emphasize the demographic range of la francophonie. Using paintings from Haiti, Senegal, and New Orleans, among others, it presents themes found in works by people of color that are important to understanding the impact that colonialism has had on these places and their cultures. The unit also utilizes the content to create a meaningful context for introducing the concept of noun/adjective agreement to beginner students of the target language. Using their newly-acquired background on the subject, students participate in classroom activities that encourage communicative competence by asking them to interpret the art work of others, discuss their observations of different pieces, and present their own recreations of Francophone art as “curators" of their own installations. Simultaneously, the unit’s objective is to broaden students’ understanding of linguistic diversity and their own identities as speakers of the target language.

(Developed for French I, grade 8; recommended for French I, grades 8-9; French II, grades 9-10; and Intro to Language Study, grades 6-8)

23.01.08 - Racialization: Past and Present

by Tyriese Holloway

In the world after the George Floyd uprising, how have we as educators discussed race in the classroom? This unit provides tools on how to address race, in part, through the famous Shakespearean play Othello and the novel There, There. Through art, we are able to confront the frays of our human condition in order to explore ourselves and our deepest wants and desires. In the play Othello (c.1603), we are going to explore the art The Miracle of the Relic of the True Cross on the Rialto Bridge by Vittore Carpaccio (c.1496),b Altarpiece with St. James in the central panel. Chapel of the Alcazar of Segovia (c.15th century) and The Return of Othello, ‘Othello,’ Act II, Scene II by Thomas Stothard (c.1799). In There, There (2018) we are going to explore Native American stereotypes and narrative archetypes by exploring the paintings such as RCA Indian Head Test Pattern (c.1947) by Brooks, Captain Cold or Ut-ha-wah (c.19th century)by William John Wilgus , and  The warriors making their grand entry into the Medicine Lodge (c.1875) by Howling Wolf. Through this unit, students will be empowered to explore how race, religion and identity has changed over time and tools for bridging difference in the present.

(Developed for English, grades 11-12; recommended for English, grades 11-12)

23.01.09 - Illuminating Gem of the Ocean with Art Representing African Diaspora

by Renee Patrick Mutunga

America’s history of slavery is one many of us would like to forget. And when we do revisit this history, it is often from a too-distant vantage point that allows us to oversimplify. We scorn the oppressors’ violent injustice but too easily ignore how present-day systems allow injustice to continue. We pity the victims of the atrocities without realizing that pity alone can strip people of individuality, identity, and strength. But August Wilson’s Gem of the Ocean, the opening play of his Century Cycle representing the African American experience through each decade of the 1900s, challenges readers to come face-to-face with the difficult past to heal and move forward.  Wilson expects his readers to have a level of cultural understanding to appreciate the depth of his allusions to African heritage and spirituality. This unit will use images ranging from historic to contemporary to help students gain understanding of the play’s cultural and historical context. Through this process of examining images, students will strengthen their close reading skills, which they will apply to their reading of the play. Then, as they read the play, they will examine images that will help them gain knowledge related to allusions they’ll encounter later in their reading or develop a richer understanding of what they’ve already read. At the end of the unit, students will create a museum exhibit entry with a piece of visual art, a passage from Gem of the Ocean, and their own analysis writing that explores the unit’s guiding question: How can representation of African diaspora history and culture enslave people, empower people, or overcome the past?

This unit was designed for a Grade 11 IBDP Literature course but could be adapted for Grades 10-12.

(Developed for International Baccalaureate Diploma Program English Literature, Year 1, grade 11; recommended for English Language Arts, grades 10-12)

23.01.10 - This is America: Images and Histories of Racism and Exploitation

by Adriana Lopez

This is America: Images and Histories of Racism and Exploitation is an educational unit that links the history of slavery, segregation, and racial injustice from the end of slavery, 1852 to the present. This unit is intended for grades 11 and 12. The unit was created in response to the George Floyd riots and students asking the question, “What is the difference between Black Lives Matter and All Lives Matter?” The unit will cover the texts, “What to the Slave is the Fourth of July” by Frederick Douglass, “Strange Fruit” written by Abel Meeropol and recorded by Billie Holiday, and “This is America” by Childish Gambino. Each of the texts will have several images that will help give visualization and deeper understanding to the time period of each text. The images were inspired by the Yale National Initiative seminar, “Histories of Art, Race, and Empire: 1492-1865” led by Timothy Barringer. The images selected feature visualizations of enslaved people as well as free Black people from the same time period. Segregation photography by Gordon Parks and photography from James Van Der Zee during the same time as segregation with contrasting images of Harlem. Images by Lorna Simpson and Fabiola Jean Louis will show visualizations and reimaginations of the current racial injustice from the present.

(Developed for English IV Self-Contained, grade 12, and Argumentative Literature, grades 11-12; recommended for English, Social Science, and Art History, grades 11-12)

23.01.11 - Perspectives on Race: Slavery and its Legacies in Art

by Tina Berry

In this unit students will be introduced to wood engravings from the Antebellum period, murals from the Harlem Renaissance and Black Wall Street/Tulsa Race Massacre, and collage work done by modern artists.  Students will also read pieces of writing that reflect the time periods and struggles of the day, as well as their hope for the future.  Each time period reflects the last.  Each new era is growing from the struggles of the last.  This is about the growth of the nation as displayed by people that helped build it.  When introducing this unit to students I want them to understand this is not representative of all black people, everywhere, but images and stories of real struggles and the legacies these struggles have stamped on the art world (and the world at large) to gain independence and equality, and the security of self-actualization and self-expression.  Art, history, writing, and the American Dream of freedom, equality, and justice make this unit informative and beneficial for high school curriculum.

(Developed for Art 2 and Advanced Art 2, grades 9-12; recommended for U. S. History, ELA, and Art History, grades 9-12; and Art, grades 8-12)

Writing About Nature

Introduction by Jill Campbell, Professor of English

The Introduction is not yet available.

Synopsis of the Curriculum Units

23.02.01 - Why Nature? Noticing and Writing in the Wild

by Brandon Barr

This unit considers the benefits of spending regular periods of time in nature. The approaches and concerns of three different people who frequented nature are considered in great detail: Transcendentalists like Emerson and Thoreau, Rachel Carson, and J Drew Lanham. From their teachings and concerns, it is hoped that students will recognize the importance of observing carefully and developing a sense of responsibility to address problems related to nature like environmental injustice and climate change. Finally, students will engage in nature writing after reading mentor texts that create strong details in the reader’s mind from their own observations during “spirit walks” and other guided observation activities.

(This unit would be appropriate for middle school or early high school English Language Arts or Social Studies classes.)

(Developed for Reading and Writing, grade 6; recommended for English, grades 6-10)

23.02.02 - Niños y la Naturaleza: Nature in the World Language Classroom

by Holly Bryk

In this multisensory unit designed for a World Language class, I will focus on providing opportunities for my Spanish students to connect to the natural world through place-based education. Over a span of six weeks my students will explore and observe various aspects in nature.  My students will spend time in nature writing in the target language. This unit will include, but is not limited to, a nature journal written response to nature in the target language, a visual depiction labeled in the target language of an observation in nature, and an oral presentation of a selected journal entry. My plan is for the unit to culminate with each student selecting an entry from the entirety of their natural journal entries to present as their final entry, their summative assessment. Students will share the end product, their updated and enhanced journal entry, with classmates digitally using a learning management system like Schoology. They will also have the opportunity to present their final product to the larger school community during one of our weekly middle school meetings. This unit addresses the World-Readiness Standards for Language Learning of Interpersonal Communication and Global and School Communities.

(Developed for and Spanish 1B, grade 7, and Spanish 2, grade 8; recommended for Spanish, grades 6-12)

23.02.03 - Homeland to Hometown: Restorative Awareness in Writing About Nature

by Catherine Fee

This curriculum unit addresses challenges faced by English Language Development middle school students, fostering connections to nature and self-identity growth. It utilizes literature analysis, journaling, and reflective writing to promote a sense of belonging. Key strategies include nested language supports such as exemplar works, journaling, familial interviews, and nature readings. Extracting "juicy sentences" from complex texts enhances vocabulary and comprehensio

Narrative writing helps students process traumatic experiences and develop storytelling skills. Emphasizing a balanced and diverse teaching approach, the unit incorporates various methods and student-led discussions. The purpose is to promote critical thinking, core language standards, and exploration of "Writing About Nature" for personal growth and identity in America.

Overall, the objective of the unit is to have cross-curricular applications and promote the exploration of narrative writing to understand oneself, foster a sense of belonging, shape personal growth and identity relevant to students’ experiences in Nature.

(Developed for English Language Learning, grades 6-8; recommended for English, grades 6-8)

23.02.04 - An Inheritance of Cultural Storytelling: Nature-Inspired Paintings

by Debra Jenkins

When I asked my secondary students if they ever metaphorically stopped to smell the roses, they looked at me like I was crazy. I was met with, “Mrs. Jenkins, we ain’t white.” “Man, gone on somewhere, Mrs. Jenkins, ain’t nobody got time for that.” Why do my students, who are not white, feel that being in nature is only reserved for certain people? Could it be that Hearne is considered a nature desert, or students have not been provided ample time and opportunities to engage meaningfully with nature? Why does their ethnicity seem to be so prevalent in relation to occupying these publicly shared spaces? This unit will explore ways to engage with nature and family members’ experiences with nature to form an appreciation of sorts of nature using painting, journaling, and storytelling to hone their listening, speaking, reading, and writing skills. Conversations and readings taken from the seminar led by Jill Campbell inform the unit. The standards addressed will be for students at the secondary level to form a new opinion of their interpretation of what nature means to them.

(Developed for Dyslexia Intervention, grades 7-12, and ESL Beginner and ESL Intermediate, grades 9-12; recommended for Dyslexia Intervention, grades 7-12, and ESL Beginner and ESL Intermediate, grades 9-12)

23.02.05 - Creating First-Class Experiences for Forgotten Schools: Why Not Us?

by Sean Means

The following unit unpacks reasons school leaders should invest resources in creating an annual trip abroad for their students. The unit surveys several teachers and students who have taken trips to Central and South America's rainforest and natural parks to gain a greater perspective on the region's natural habitat and the culture of the people living within it. The unit argues that international travel to settings in nature is even more beneficial for the most vulnerable children as it presents a learning opportunity away from community distractions and responsibilities. In order to make this a reality, the unit takes a deep dive into philanthropy, understanding the annual financial requirements of such a large undertaking. The following research describes how private enterprise and foundations have provided travel and accommodations for urban children who may only have been able to study abroad with their annual charitable giving. The unit includes plans for a trip to Ecuador and a sequence of classroom lessons to prepare students to engage deeply with their experience in natural settings on the trip.

(Developed for U. S. History, grade 11, and Social Justice, grade 12; recommended for Business, Foreign Language, and Spanish, grades 6-12, and Social Justice, grades 11-12)

23.02.06 - Self-Identity through Nature and Magic

by Ricardo Moreno

Our seminar titled, “Writing about Nature” led by Jill Campbell, introduced me to something I took for granted: the nature of the urban setting and how this setting can aid in the world of self-discovery. Can nature be the guide which points me in the right direction towards self-discovery?

The first section of three from the unit will concern the magic and mythology of the unit. It also gives us the opportunity to begin laying down a foundational aspect as to how we can find this idea of self-identity.

The second and middle of the unit’s three sections will be on immigration. I sought to compare and contrast the mythology and magic of indigenous gods to an issue which I found to be grounded in reality, which represented a realistic perspective of the Latin American experience in America: immigration. The journey of immigration is not only a physical journey but one in which the spirit and dreams of the people are represented.

The third and final section of the unit’s three sections is a convergence of the magic of the gods with the reality of a people traveling across landscapes in search of a better life.

(Developed for Reading and Writing, grade 8; recommended for Reading, grades 7 and 9)

23.02.07 - Through the Eyes of a Navajo: Nature Writing

by Cheryl Singer

As a Navajo Language Teacher teaching on the Navajo reservation, I have developed a curriculum called “Through the Eyes of a Navajo: Nature Writing” for high school students (grades 9-12). This curriculum gives explanations to the following areas of Indigenous cultural knowledge: the Navajo Philosophy which is the foundation of learning in balance and harmony; the Dualities (male and female concepts) which are the environmental and universal teachings connected to the human being; and the importance of a proper self-introduction in the Navajo language which is part of the language, culture, and way of life. To establish awareness of the environment, students will be introduced to the sit spot, nature journal writing, and poems and children’s literature by Navajo authors, and they will learn to identify the male and female concepts of the environment and universe from the Navajo point of view. The unit will bring awareness of the true internalization of knowledge, the cultural richness of storytelling, and the journey of nature writing.

(Developed for Navajo Language 2; recommended for Secondary grades)

23.02.08 - Journaling in Nature: Journaling to Improve Observation and Reflection

by Christopher Snyder

This unit is built around a repeated, regular practice of Nature Journaling as a means for students to improve observation and reflection as well as to develop their affinity for nature.  The unit will emphasize the importance of slowing down and of regularity and routine as students return to "sit-spots" in the school's well-maintained urban garden and to possible locations in a nearby public park.  In the course of the unit, we will be learning the process of journaling along with learning new and refined writing and drawing skills, with equal emphasis on verbal and visual expression. Students will be working over a six to eight-week period to create, reflect upon, and revise their journals as we go. We will be following a strict framework but one that allows a great deal of artistic freedom for the students (and myself) inside that framework. Students will be journaling during at least part of every class for those first six to eight weeks of school.  I am looking forward to seeing how this process will positively impact student learning and retention, along with providing a fun and memorable experience for my students.

(Developed for Visual Art, grades 4-5; recommended for ELA, grades 4-5, and Visual Art, grades 3-12)

Transitions in the Conception of Number: From Whole Numbers to Rational Numbers to Algebra

Introduction by Roger E. Howe, William R. Kenan, Jr. Professor Emeritus of Mathematics

The YNI seminar for 2023 “Transitions in the Conception of Number: From Whole Numbers to Rational Numbers to Algebra” was motivated by the observation that, as students progress in their study of mathematics, the role or nature of the numbers they deal with changes. When first introduced, numbers are counts, but when fractions are introduced, they need to be thought of as ratios: they tell you the size of a quantity of interest in relation to a reference quantity, which functions as a unit. And in symbolic algebra, numbers need to change again: they should be thought of as members of a system, and this system is governed by the Rules of Arithmetic (aka, Properties of the Operations). However, these necessary transitions are not explicitly recognized in the standard US math curriculum, and it is plausible that this omission contributes to the failure of many students to master fractions and/or algebra.

The seminar studied two main models to help students deal with fractions: length models, especially the number line; and area models, especially rectangles. The number line is very effective for picturing the system of fractions with a fixed denominator, for comparing fractions, for providing examples of equivalent fractions, and for understanding addition of fractions. It can be used to emphasize two key points about which many students develop misconceptions: 

  1. that when dividing a quantity into a given number of fractional parts, all the parts must be equal; and  
  2. that when the numerator of a fraction increases, the fraction increases, but when the denominator of a fraction increases, the fraction decreases.    

The number line can also be used to promote the understanding of division as measurement: for numbers a and b, the quotient a/b describes how many (perhaps fractional) copies of b it takes to make a.

Area models are particularly valuable for understanding multiplication, which is a considerably less accessible operation than addition. They make visible the commutativity of multiplication, and they provide a visual way to understand the formula for multiplication of fractions. They can also be used to explain equivalence of fractions, and division.

For dealing with algebra, the seminar studied several collections of word problems. A key takeaway from this work was that there are large collections of word problems that can be solved using equations of the same general form, and symbolic algebra provides a single formula that can be used to find the solutions for all problems in the given collection. This provides convincing evidence for the usefulness of algebra. On the other hand, one can find problems that lead to equations of different types, and this provides a useful method for sorting problems according to their structural properties.

The seminar also studied some consequences of the Rules of Arithmetic. For example, the Associative Rule of Addition justifies writing expressions involving adding several addends without any parentheses. Also, the Commutative and Associative Laws for Addition together imply that there are many ways to compute the sum of several addends, by varying the order of summation, and selecting pairwise additions. The number of possibilities grows rapidly with the number of addends. For 5 addends, there are 1680 ways to compute the sum, and for 10 addends, there are over 170 billion ways. This flexibility is used, for example, in the standard algorithm for adding base 10 numbers. We also attended to the Inverse Rule of Multiplication, and noted that 1/a is the multiplicative inverse, aka reciprocal, of a. Together with the Commutative and Associative Rules, this justifies the “Invert and Multiply” rule for division by a fraction, which is often considered mysterious.

The Fellows in the seminar included four elementary teachers and four high school teachers. Nearly all the units involved fractions. The units by Jessica Mason and Irene Jones use length models (number line or fraction strips) to help students visualize fractions, and to try to avoid the two misconceptions mentioned above. Lisa Yau wrote a unit that uses coins to help students master decimal notation, and to develop money sense while they are at it. She includes substantial attention to history, through the history of coinage in the US, and content about the people depicted on the coins.  The fourth elementary unit, by Valerie Schwarz, focuses on word problems, and seeks to help students see patterns, or “schemas”, in collections of problems, to promote broad problem-solving skills.

The units of the high school teachers have a more algebraic slant. They focus on dealing with word problems: translating them into equations, and then solving the resulting equations. They also testify to the poor job the US curriculum does with teaching fractions. The units of Irina Alekseeva and Ulises Reveles have as a main goal, improving their students’ ability to deal with fractions, especially to understand how to compute with them, in order to solve the word problems where fractions appear in the data. Julie Skrzypczak’s unit also pays substantial attention to fractions, toward the goal of helping her students understand and deal with proportional relationships. The fourth high school unit, by Kristina Kirby, also focuses on the analysis and solution of word problems, with somewhat less specific focus on fractions. Three of the units provide collections of word problems for use with the unit.

Synopsis of the Curriculum Units

23.03.01 - Teaching Elementary Fractions Using Fractions Strips

by Jessica Mason

This curriculum unit, Teaching Elementary Fractions using Fractions Strips, is intended as an introduction to fractions for elementary students. In this unit, students will be introduced to fractions using different models, with emphasis on fractions strips. It provides different teaching strategies to help students learn and enjoy working with fractions. By the end of the unit students will learn that fractional parts are equal shares or equal-sized portions of a whole or unit. A unit can be a single object or a collection of things. Fractional parts have special names that tell how many parts of that size are needed to make the whole. For example, thirds require three parts to make a whole. The more fractional parts used to make a whole, the smaller the parts. For example, eighths are smaller than fifths. Partitioning shares involves dividing an object, set of objects or number into parts. Knowing that shapes, sets and quantities can be partitioned into equal-sized parts, and understanding the importance of equal-sized partitions, is fundamental to recognizing the part-whole relationship between the numerator and denominator in fractions. An area model represents a fraction as a certain part of a rectangle divided into equal parts. It can provide students with a visual way to think about fractions.

Fraction strips are a versatile and engaging tool for teaching fractions in the classroom. They essentially provide a length model for thinking about fractions. By using fraction strips, students can develop a deep understanding of fractions and build their math skills in a fun and interactive way. Teaching with fraction strips can help struggling students who have spatial abilities. This unit is designed for second and third grade students to build a foundation in fractions. However, it can be used to introduce fractions to all students.

(Developed for Mathematics, grade 2; recommended for Mathematics, grades 2-3)

23.03.02 - Using a Length Model of Fractions to Compare Fractions

by Irene Jones

This unit is intended for third-grade students at Kayenta Elementary School. It is imperative for Kayenta Elementary School to improve in all areas of mathematics to help the school get a passing Grade from Arizona Department of Education. I developed this unit because fraction is one the hardest lessons to teach and even harder for students because fractions forces students to think of integers in a different way.  Up to this point, students have been taught in base-ten whole numbers.  The difficulties come from the mind-set that larger numbers mean more in terms of relative size, however, that is not the case with the denominators of fractions.

Third graders are expected to identify and create fractions using shapes with fractions that are chopped into intervals of 1/2, 1/3, 1/4, 1/6, and 1/8.  An additional standard states that a number line can be utilized.  After the initial introduction to fractions expected by Arizona Department of Education, I will extend the lesson by teaching students to create number lines, learn to plot number lines, and use number line to compare fractions, and finally use number lines to find equivalent fractions.  While using number lines, I will emphasize that number lines are intended to measure length and distance.  The goal is to establish fraction number sense.

(Developed for Mathematics, Diné Studies, and Social Studies, grade 3; recommended for Mathematics and Social Studies, grades 2-4)

23.03.03 - Money, Money, Money: Decimal Fractions in $ and ¢

by Lisa Yuk Kuen Yau

A “decimal fraction” can be easily converted into a decimal using the base-10 number system. For example, 95/100 is equivalent to 0.95, and its expanded notation is: (9 × 10-1) + (5 × 10-2). Because of their unique features, decimal fractions can help students bridge their understanding of whole numbers’ place value in relationship to those of decimals, fractions, and percentages, and have the potential to better cement the arithmetic-to-algebra transition from concrete to more abstract thinking. The curriculum unit titled Money, Money, Money: Decimal Fractions in $ and ¢ is designed to promote two main learning objectives:

  • familiarize students with the history of U.S. coins;
  • guide students to use coins like quarters, dimes, nickels, and pennies to develop greater understanding of place values;

The unit is developed for 5th Grade U.S. History, and addresses the Math Common Core Standards 5.NBT.A.1 (place value), 5.NBT.A.3 (decimals), and 5.NF.A (fractions). It is suitable for grades 3rd to 5th.

Keywords:decimal fractions, place value, number lines, U.S. Mint, U.S. coins, dollars, cents, quarters, dimes, nickels, pennies, financial literacy.

(Developed for Mathematics and Social Studies, grade 5; recommended for Mathematics, grades 3-5)

23.03.04 - A Framework for Problem Solving: Schema Development and Discourse

by Valerie Schwarz

This is a curriculum unit designed to work with Eureka Math. The framework uses mathematical discourse as students collaborate to create word problems for a given scenario. Then students use the collection of word problems they created and solve them with tape diagrams. Next, they categorize the problems to identify schemas based on the number of steps and the operations. Connections are made between the tape diagrams and the solutions. All the NCTM Process Standards are incorporated throughout the unit. The curriculum unit is designed for grade 4 students but could easily be adapted for grades 1-6.

(Developed for Mathematics, grade 4; recommended for Mathematics, grades 2-6)

23.03.05 - Numerical Development: from whole numbers to fractions

by Irina Alekseeva

While teaching my Geometry, Pre-Calculus and AP Calculus students, I have realized that using fraction notation as well as comparing, adding, subtracting, and dividing fractions is usually a big problem for them. As a result, they struggle to identify parallel and perpendicular lines and slopes in the equations of linear functions; they have difficulties with topics such as similarity, dilation, transformation of geometric figures, and other mathematical concepts. Later, in upper-level Math they struggle with trigonometry, derivatives (aka slopes), definite integrals and their applications to name just a few. And this is just the tip of the iceberg. The lack of their knowledge of fractions leads to their failure in other Math- related fields, such as Physics, Biology and Chemistry. During their high school career, many students will have to take a standardized test like the SAT and/or an AP exam. Half of the Math portion of these tests is non-calculator. Our job is to get them ready; soon-to-become young adults need fractions in their local grocery store calculating seasonal discounts!  This curricular unit will help teachers build students` competence in computation of expression with fractions, solving equations and word problems that require students to compare, add, subtract, multiply and divide fractions. 

Recommended for Algebra I, Algebra II, Geometry, PreCalculus and AP Calculus students.

(Developed for Math Analysis, grade 11; AP Calculus, grade 12; and Geometry, grade 9; recommended for Mathematics, grades 3-7; Algebra I, grades 8-9; and Geometry, grades 8-9)

23.03.06 - Division of Fractions in Algebra, from real-life applications to abstract equations

by J. Ulises Reveles

This curriculum unit focuses on word problems whose solution requires the division of fractions in Algebra II for High School 9 to 12 graders.  Specifically, this unit aims to teach how to solve real-life applications using one simple algebraic equation, which will require the division of fractions in the problems I will pose to them. Students will learn models of fraction division, i.e., the number line and the rectangular and symbolic models. Particular interest is given to practicing reading and translating word problems into symbolic representations. Developing this skill requires a careful analysis of the information provided, which has to be represented by a set of constants and a variable to be determined. Students will be given the opportunity to work independently and in small groups to explore the given word problems and refine the relevant information to produce the correct equation.

Once the students have reached the equation representing the given problem, they will use the rules of arithmetic to solve it by a general procedure involving fractions division. The students will employ various methods to perform the divisions at this point. They will be encouraged to use and compare the solutions obtained by the different methods and to reflect on which of these they are more confident, sharing with their peers in small group discussions and the entire class at large.

(Developed for Algebra II, grades 9-12; recommended for Algebra I, grades 9-10; Algebra II, grades 9-12; and Precalculus, grades 11-12)

23.03.07 - Improving Proportional Reasoning = Improving High School Math Success

by Julie Skrzypczak

High school students arrive in my classroom lacking number sense and the reasoning skills necessary for success in high school math and science. This deficit results in my students’ struggle to engage in grade level course work. This unit will provide a starting point for some targeted acceleration of learning. The number line will anchor our work to improve student number sense. It will also serve as the space in which students build fluency and deepen their understanding of fractions. Work comparing fractions and discovering equivalent fractions will build some of the skills students need to become proficient at proportional reasoning. Exploring many types of proportion and ratio problems will allow students to discover patterns and strategies for solving these problems as they build their proportional reasoning skills. After completing this unit, my hope is that my students will have stronger number sense and be more adept at proportional reasoning.

(Developed for Geometry; recommended for Mathematics, grade 8, and Pre-Algebra, Algebra I, and Geometry)

23.03.08 - From English to Algebra: Solving Linear Equations with Word Problems

by Kristina Kirby

As the great mathematician George Pólya once said, “It is better to solve one problem five different ways, than to solve five problems one way.” I’ve found this to be especially true with word problems. A given linear word problem can be solved in a multitude of ways; one can solve it algebraically (with “variables”), arithmetically (with constants), or illustratively (with pictures or use of manipulatives). When students engage in all three methods of solving linear equations, they build on prior knowledge and foster a more comprehensive understanding of variables and manipulation of algebraic equations. 

This curriculum unit focuses on students’ conceptual understanding of the role of variables and their units in linear equations. It relies heavily on the Japanese teaching strategy of Kikan-jyunshi or Kikan-shido, in which the teacher identifies individual student work to discuss with the whole class. The unit follows the BSCS 5E Instructional Model phases: engage (solve one word problem three different ways), explore (translate other word problems into equations), explain (justify the use of operations in translated equations), elaborate (create word problems that exemplify given equations), and evaluate (assess formatively).

Key Words: word problems, linear equations, variables, algebra, algebraic equations, units, Kikan-juynshi, Kikan-shido, BSCS 5E Instructional Model

(Developed for Integrated Mathematics I, grades 9-12; recommended for Pre-Algebra, grade 7; Algebra I, grade 8; and Integrated Mathematics I, grades 9-12)

Environmental Justice

Introduction by Jordan Peccia, Thomas E. Golden, Jr. Professor of Environmental Engineering

Human exposures to pollution and other environmental risks are unequally distributed by race and class. Environmental justice is the principle that “all people and communities have a right to equal protection and equal enforcement of environmental laws and regulations”. This seminar considered the evidence for, and consequences of, environmental injustices. We examined how current and historical policies have allowed for and even fostered these inequalities, we studied environmental justice examples in air pollution, water pollution, toxic waste management, and climate change, and we listened to the voices of those who have suffered under these injustices.

The individual units that resulted covered a variety of environmental topics including climate change, solid waste disposal, plastic recycling, and air pollution. Environmental problems that impact rural and urban communities in the United States and abroad are addressed.  Seminar participants considered these problems through a lens of environmental justice and environmental racism, and uncovered formal and informal societal and governmental practices that contain embedded elements of injustice.

Robust solutions to environmental problems must not only consider technology, but the economies, cultures and histories of the humans that are impacted. Within this volume there exists units that are appropriate for courses in the humanities and sciences, ranging in grade levels from grammar school to high school.

Synopsis of the Curriculum Units

23.04.01 - We are Not in this Together: The Unequal Impacts of Climate Change

by Kariann Flynn

This three-to-four-week English language development curriculum unit is designed for middle school multilingual learners and explores the inequitable distribution of health, housing, and economic burdens that result from the effects of climate change. In this unit, students will analyze and gather data from case studies of communities affected by climate-fueled flooding events, and the subsequent government response. Students will read and learn about historic government policies of racial discrimination in housing and how this has segregated communities along racial and socioeconomic lines. At the end of this unit, students will develop evidence-based arguments about the disproportionate effects of flooding on the community of Southbridge, a predominately Black, low-income community in urban Wilmington, Delaware. In addition, students will learn about the advocacy of Southbridge residents to fight for and acquire flood-mitigating resources to protect their community. This unit will intentionally scaffold student understanding of environmental justice and argumentation skills for future application in response to environmental justice issues.

(Developed for English Language Development, grades 6-8; recommended for English Language Arts, grades 6-12, and Environmental Science, grades 6-8)

23.04.02 - Environmental Justice and Land Issues of Indigenous People

by Mark Hartung

This unit, created for High School World History and Ethnic Studies classes, focuses on environmental racism and environmental injustice by examining the loss of land and resources that indigenous people in the Western Hemisphere suffered and continue to suffer at the hands of European explorers and their descendants. Focusing on the Sioux nation in present day United States and the indigenous people of the Amazon rainforest, the unit looks at both historical and contemporary injustices in the environmental arena. Deforestation of the Amazon and the building of the Dakota Access Pipeline are both examples of recent ongoing environmental injustices that students will study. An inquiry driven culminating project will task students with individual research, interpretation of data, and presentation of conclusions and potential solutions, as well as peer review and comment. Although designed for High School students this unit could be adapted for Middle School grades as well and adjusted to focus on a United States History classroom if desired.

(Developed for Ethnic Studies, grades 9-12; recommended for World History, grade 10, and U. S. History, grade 11)

23.04.03 - Environmental Injustice in Chicago’s Southwest Side: Pollution, Past and Present

by Nancy Ibarra

This five-week science curriculum unit is designed for 8th grade students and explores the connection between the practice of redlining by the federally funded Home Owners’ Loan Corporation (HOLC) during the 1930s and its direct effect on air pollution more than 80 years later. Students will use the Not Even Past: Social Vulnerability and the Legacy of Redling site to compare redlining maps of the 1930s to contemporary maps of the Center for Disease Control's Social Vulnerability Index. Students will then use the EPA’s EJScreen: Environmental Justice and Screening Mapping Tool to gather and compare data, such as particulate matter 2.5, asthma, and life expectancy of two Chicago neighborhoods, Back of the Yards and Little Village. Throughout the unit, students will learn about several environmental studies, grassroots efforts, and their influence on the environmental justice movement. This unit addresses the Next Generation Science Standards (NGSS) and the International Baccalaureate’s key concepts, related concepts, and global contexts.

(Developed for Science, grade 8; recommended for Science and Social Studies, grades 7-10)

23.04.04 - Plastic, Plastic Everywhere

by Akela Leach

In this unit, students will learn the cycle of plastic production and lack of proper disposal in the United States and globally. Students will understand that humans take materials from the Earth to create plastic. Then they dump the plastic back into the environment. The essential question for students to answer throughout the unit will be: Where does our trash go? Students will be challenged to think about the environmental and sociological impacts of the plastic pollution generated in wealthy nations and how they impact lower income and poorer nations.

The content will be organized into three sections: 1) How plastic is created 2) Where does plastic go 3) What are the solutions.  Plastic use is emersed into daily life. Individually, people are reliant upon plastic for a range of items such as food packaging, plastic straws, water bottles, food containers, and plastic shopping bags. Plastic production and use are interconnected worldwide. Plastic is produced in the United States and exported to other countries. The US also imports plastic from other countries.  Students will learn how pervasive plastic is in everyday life, the range of plastic products, and the global connectiveness of plastic production, distribution, and use.

(Developed for English Language Arts and Social Studies, grade 5; recommended for Elementary Science, grades 4-5, and Science and World Geography, grades 6-7)

23.04.05 - Colored: An Introduction to Environmentalism

by Gwendolyn Gail Nixon

This 2-4-weeks unit 1. humanizes Black, Indigenous, and People of Color, BIPOC’s voices. 2. dispels blaming victims for atrocities committed against them, and 3. provides lessons about Racism, Environmental Racism and Environmental Justice, concepts closely linked and what my students (Ss), my colleagues, and I may have encountered or could encounter in our lifetimes: this idea of the disposable “others”. In your own life, what inspires you to continue or persist after experiencing setbacks and not fully your goals? Courage, a major theme, considers how the marginalized disrupt “specified ignorance,” stand on principle(s), and are courageous, while the “majority” miserably fail; illustrates how small acts can have big impacts. Color is a metaphor for how historically the “majority” painted communities red and dangerous, created dark fallacies about them while drawing lines that prevented them from voicing concerns, and having a place at the table where decisions were made about and for them through single narratives meant to still voices. Eppur si muove, and yet it moves.

Key Words: Environmental Justice, Racism, Environmental Racism, Disposables, Perspectives, Grassroots Movements, Choice Boards, Socratic seminar, Art, Poetry, Documentaries

(Developed for AP Literature and Composition, grades 11-12, and English, grade 11; recommended for AP Literature and Composition, grades 11-12, and English, grade 11)

23.04.06 - Next Generation Learners to Leaders: Intro to Environmental Justice

by Jennifer Erin Rorex

My unit, Next Generation Learners to Leaders: Intro to Environmental Justice was written as an exploration into environmental justice. It’s designed to introduce the culture of sustainability and environmental literacy focusing on equality in the United States. The unit is structured for use in an English Language Development class however it could be used in a history or social studies class. The unit is written for students on either the junior or senior high school level. The unit presents the environmental concepts of nature deficit disorder, green spaces, environmental justice, and the environmental justice movement. The unit focuses on case studies of air pollution and water pollution exploring both cases in the past and ongoing battles within their back yards affecting the population of their state, Oklahoma. The unit contains many varied activities for both junior and senior high, including a using the Climate and Justice Screening Tool (using data from the 2020 census) to compare equality in neighborhoods, history of the environmental justice movement identifying landmark cases and laws, following up with organizations and activists. By the end of the unit students will be prepared to act and use their voices to educate others about environmental justice. 

(Developed for English Language Development, grade 6; recommended for Science and History, and English Language Development and Language Arts, grades 6-12)

23.04.07 - Environmental Injustice- A Motive for Social Change in the Americas

by Danielle Schwartz

A discussion about environmental justice is a perfect opportunity to introduce interdisciplinary learning into the history classroom. This unit focuses on the interconnections between environmental pollution and the discrimination of historically marginalized groups across the Americas. It explores environmental justice as a catalyst for grassroots protest, social movements, and policy change, as well as influences from the 1960s Civil Rights movement in the US. This unit was written to take place over five, approximately 90-minute class periods culminating in a Socratic seminar. Students will read through specific case studies explaining connections between racial segregation and higher levels of human exposure to pollution in the US, Mexico, and Brazil, analyze historical images and scientific data in connection to air pollution and inequity, compare and contrast different resistance movements to environmental injustice, and gather evidence from these sources in order to answer the question: how do we solve the issue of environmental injustice? This unit connects to the following California Common Core Standards: CCSS RH 11-12 1, CCSS RH 11-12 7, and CCSS RH 11-12 9.

(Developed for IB History of the Americas, grade 11; recommended for U. S. History and IB History of the Americas, grade 11; World History, grades 10 and 12; and Environmental Science, grades 10-12)

Nature-Inspired Solutions to Disease Problems

Introduction by Paul E. Turner, Rachel Carson Professor of Ecology and Evolutionary Biology

Why does a submarine look like a whale? Why do airplanes look like birds? Because humans have long turned to Nature for solutions, such as how to design a boat that travels underwater or a machine that soars through the air. Similarly, we have looked to biomimicry (solutions based on traits drawn from species biodiversity) as inspirations for solving other problems, including diseases. Since prehistoric times, humans have experimented with curing illnesses by harnessing species – especially plants – found in natural environments. In the current day, we continue to be inspired by the Earth’s biodiversity to address health concerns, including using viruses to cure bacterial diseases that are resistant to antibiotics, as well as discovering anticancer drugs derived from natural products. As we grapple with concerns over pests that threaten the agricultural food supply, and the ongoing threats of emerging pathogens that can spur epidemics, we continuously seek to understand why many natural plant and animal communities remain healthy despite such threats. This seminar explored the many ways that we have looked to Nature for solutions to human problems, emphasizing the importance of a ‘One Health’ approach which recognizes that optimal health for people is best obtained by understanding and maintaining the health of wild and domesticated animals, as well as our natural ecosystems.

The overarching goal of the seminar was to empower teachers in their knowledge of how the natural world and its species diversity inspires humans to discover solutions to difficult problems, with the expectation that this understanding would enrich the classroom experiences of their students. The resulting units are diverse, reflecting the varied interests and backgrounds of the Fellows. Carol Boynton develops a unit for kindergarten students on the essential role of honeybee pollinators in maintaining healthy plant communities, and the importance of protecting bee colonies against declines caused by parasites such as mites. The focus of Kirsten Craig’s unit for kindergartners also centers on pollination, to emphasize how insects not only positively impact crop health and food production, but also generally help to maintain biodiverse natural communities and provide ecosystem services that benefit humans, plants, and animals alike. Michael Doody’s unit on sustainable agriculture is designed for Advanced Placement (AP) Environmental Science or similar students, and examines agroecosystems and Indigenous practices as alternatives to those developed during the Green Revolution, to strive for plant agriculture with fewer negative impacts on natural communities. Chloe Glynn’s unit concerns the growing threat of antimicrobial resistant bacteria, and how their natural virus enemies – bacteriophages – can be developed as alternatives for treating bacterial infections when antibiotics fail. Anna Herman’s unit for high school students examines how nature can inspire alternatives to our poorly sustainable industrial food and agriculture systems, to adopt practices which are better for the overall health of interconnected human, animal and natural environment systems using the One-Health paradigm. Aliyah Hoye’s unit serves as an introduction to biodiversity and biomimicry for kindergartners, emphasizing how our daily lives are positively impacted by the many machines, tools, and medicines that have been inspired by the natural world, in order to solve human problems. The kindergarten unit by Joe Parrett examines behaviors in animals that strengthen their social connections, as inspirations for developing better communication skills in students and improved social emotional learning in the classroom.

Synopsis of the Curriculum Units

23.05.01 - Biodiversity and Bees in the Primary Classroom

by Carol Boynton

In this four-week unit, young students are introduced to the concept of biodiversity and how honeybees play an essential role globally in maintaining and preserving it. To introduce this complex topic to Kindergarteners, the unit begins with a read-aloud, Please Please the Bees by Gerald Kelley. Discussions center on challenges bees encounter, including their recent problems with varroa mites. Students understand the structure of the bee’s body, create honeycomb models, learn bee dances, and design and construct bee boxes, along with joining in to help save the bees by planting nectar-producing plants.

(Developed for Science, grade K; recommended for Science, grades K-2)

23.05.02 - Pollination Party

by Kirsten Craig

Did you know that there are over 4,000 different species of bees in the United States? Many of us only see news about the western honey bee (Apis mellifera), but as a whole, insect pollinators in the U.S. benefit the reproduction of over 100 crop plants. It is estimated that nearly 1/3 of the food on your plate is thanks to the efforts of pollinators, but they are doing a lot more than just benefiting food production. The system of pollination is responsible for driving and maintaining biodiversity, in addition to creating a range of ecosystem services that benefit humans, plants, and animals alike. But studies show that our students are not able to articulate knowledge of systems such as pollination. It is critical that our students understand the scientific knowledge of pollination systems in addition to adopting a more equitable approach to learning about and interacting with nature. Through this unit, I use a pollination party to show my kindergarten students the importance of pollination, and how to be more mindful of all the participants in our natural world. It seeks to inspire them to be active participants in caring holistically for our local natural ecosystem, which benefits our local and global ecological health as a living community.

(Developed for Science, grade K; recommended for Science, grades K-2)

23.05.03 - Coffee, Cacao, and Chacras – Applying Principles of Sustainable Agriculture in Costa Rica and Peru to Farming in Delaware

by Michael A. Doody

This two-week unit on sustainable agriculture is designed for AP Environmental Science but can be easily scaffolded for introductory and intermediate levels of the same topic. Students start by learning about the environmental impacts of the Green Revolution. Focus shifts to less impactful agricultural methods, starting with agroecosystems, which are best defined as seemingly naturally functioning ecosystems that also produce food, fiber, and/or other agricultural products.  Students examine polyculture and integrated pest management to identify and explain features that fit the agroecosystem approach. They also survey Indigenous agricultural practices to look for sustainable features. Classroom activities include the creation of a driving question board, development of explanatory models that showcase the sustainability of agroecosystem approaches, the development of an action plan to increase the sustainability of our campus farm, and taste tests of sustainable and fair-trade coffee and chocolate from Costa Rica. This unit satisfies AP-ES Content Standards EIN-2 and STB-1 and Science Practices 1.C, 4.A, 7.A, 7.B, and 7.E.

(Developed for AP Environmental Science, grades 11-12; Environmental Science Issues, grades 10-11; and Natural Resources and Ecology, grades 9-10; recommended for Ecology and Biology, grades 9-10)

23.05.04 - On the Border of Life: Bacteriophages and Biodiversity

by Chloe Glynn

Bacteria and viruses are the most prolific biological entities on Earth. Although they are very small, their impacts have shaped human history. The Bubonic Plague, attributed to the bacteria Yersinia pestis, killed between thirty to sixty percent of those infected, reshaping European labor markets and undermining feudalism as the major political system. Prior to the discovery of antibiotics in the 20th century, even common bacterial infections could prove to be a death sentence. Once heralded as a “miracle drug,” pharmaceutical antibiotics are becoming less effective due to their widespread overuse, threatening to cause ten million deaths annually by 2050. This is because bacteria are living systems, constantly copying their DNA in order to reproduce. If a random error occurs during DNA replication, and that DNA change helps an individual bacterium survive antibiotic treatment, the mutation can be passed on to other bacteria and will become more common. It is possible that humans could use viruses to kill these antimicrobial resistant bacteria, but it is important to be very intentional about their use to prevent bacteria from evolving resistance to this treatment method as well.

(Developed for Environmental Science, grade 9; recommended for Environmental Science and Biology, grades 9-12)

23.05.05 - Growing a Sustainable Future

by Anna Herman

This unit explores how food and agriculture systems impact the health of people, animals and overall environmental health using the One-Health paradigm.  Our current industrial food system is at the nexus of dietary disease, water and air pollution and climate crisis impacts.  Seen through the view of One-Health, where health outcomes are measured as positive if all aspects of the interconnecting systems are healthy, industrial food production and processing is not sustainable, nor desirable.  There is much to learn from nature as well as indigenous and traditional human cultures around sustainable food growing and health supportive eating practices. Students will be asked to evaluate various practices and policies around food growing, purchasing, marketing, distribution and preparation and diets with an eye towards maximizing One-Health, and identifying barriers to achieving this in the context of their own lives and our community.  Students will have opportunities to visit local farms, purchase and share locally produced food, and meet with public health professionals and to examine to connect this learning to careers and community engagement.  Students will review case studies, complete inquiry driven research, food preparation and sharing, while managing a sustainable garden and fresh food box program in our school.

(Developed for Agriculture, Food and Natural Resources CTE, grade 12; recommended for Environmental Science, Health, and General Science, grades 9-12)

23.05.06 - Nature Says Do This: Solving Problems by Mimicking Nature

by Aliyah Hoye

Why do a submarine and a whale look so similar? Where did the idea of Velcro come from? Where did the design of airplanes come from? The simple answer to these questions is nature. We have been inspired by nature to solve problems in our world. This four to six-week unit for kindergarten students will serve as an introduction to biomimicry and biodiversity, and how these impact our everyday lives. Students will have an opportunity to learn about many machines, tools, and medicines that have been inspired by the natural world, in order to solve human problems.

(Developed for Science, grade K; recommended for Science and ELA, grades K-2)

23.05.07 - Mimicking Nature to Create a Classroom Culture

by Joseph Parrett

This is a kindergarten Social Emotional Learning (SEL) unit connected to underlying science content related to living things and the concept of “One Health”. Animals engage in performing rituals, which allow them to survive in a complicated world, while also strengthening connections to family and community. In kindergarten we also perform rituals, though we call them routines. Classroom routines deliver similar benefits as the animal rituals. The unit will focus on developing communication skills and interpersonal connections. Another focal point will be to build an appreciation for what makes each student unique, as we explore the strength a group gains by being diverse. Open communication and interconnected classroom members will lead to a robust classroom culture, which in turn could offer benefits to the mental health of students and other classroom stakeholders. Delaware SEL standards and NGSS standards will be addressed during unit implementation. The unit should last two weeks, but can be revisited as needed to address issues with routines.

(Developed for SEL and Science, grade K; recommended for SEL and Science, grade 1)