Stories around the World in Film

CONTENTS OF CURRICULUM UNIT 06.01.06

  1. Unit Guide
  1. Introduction and Rationale
  2. Objectives
  3. The Films
  4. Strategies
  5. Activities
  6. Bibliography
  7. End Notes

Uniting Children of the World through Film: Planning an International Film Festival for Middle School Students

Lynn W. Marsico

Published September 2006

Tools for this Unit:

End Notes

1. Thomas L. Friedman. The World is Flat. New York: Farrar, Straus, and Giourx, 2006.

2. A.O. Scott. "What is a Foreign Movie Now?" In New York Times Sunday Magazine. November 14, 2004.

3. Dudley Andrew. "Stories Around the World in Film," seminar lecture. Yale University, 2006.

4. Andrew, Dudley. "The Theatre of Irish Cinema," in the Yale Journal of Criticism, volume 15, number 1, pp. 23-58, 2002. p.31.

5. Martin McLoone. Irish Film, the Emergence of a Contemporary Cinema. London: British Film Institute, 2000. p.

6. Mary Burke. June 1999. Queen's University of Belfast, School of English. http://www.qub.ac.uk/schools/SchoolofEnglish/imperial/ireland/travellers.htm

7. Irish Cultural Society. http://www.irish-society.org/index.html

8. Dudley Andrew. "The Theatre of Irish Cinema." p. 40.

9. Martin McLoone. Irish Film.

10. Andrew. "Stories Around the World."

11. Dudley Andrew. "The Theatre of Irish Cinema." p. 31.

12. Timothy Corrigan and Patricia White. The Film Experience, An Introduction. Boston: Bedford/St. Martins, 2004. p. 232.

13. Jonathan Rayner. Contemporary Australian Cinema: An Introduction. Manchester: Manchester University Press, 2000. pp. 149 & 153.

14. Ben Goldsmith. "All Quiet on the Western Front? Suburban Reverberations in Recent Australian Cinema." In Australian Cinema in the 1990's. Ian Craven, ed. London: Frank Cass Publishers, 2001. p. 115

15. Hamid Reza Sadr. "Children in Contemporary Iranian Cinema: When we were Children." In The New Iranian Cinema, ed. Richard Tapper, pp. 227-237. London: I.B. Tauris, 2002. p. 229.

16. Sadr. "Children" p. 228.

17. Richard Tapper, ed. The New Iranian Cinema: Politics, Representation and Identiy. London: I.B. Tauris, 2002. p. 22

18. Corrigan and White, page 166

19. Corrigan and White, page 180.

20. Roy Ashbury, ed. Teaching African Cinema. London: British Film Institute, 1998. p.

21. Manthia Diawara. African Cinema, Politics and Culture. Bloomington: Indiana University Press, 1992.

22. Andrew. "Stories Around the World in Film."

23. Ashbury. Teaching African Cinema. London: British Film Institute, 1998. p. 77.

24. Ashbury. p. 89.

25. Ashbury. p. 89.

26. Michael Berry. Speaking in Images: Interviews with Contemporary Chinese Filmmakers. New York: Columbia University Press, 2005. p. 124

27. Berry. Speaking in Images. p. 136

28. Rey Chow. "Not One Less: The Fable of a Migration." In Chinese Films in Focus: 25 New Takes, ed. Chris Berry, pp. 144-151. London: British Film Institute, 2003.

29. Catherine Yi-Yu Cho Woo. "The Chinese Montage: From Poetry and Painting to the Silver Screen." In Perspectives on Chinese Cinema, ed. Chris Berry. London: BFI Publishing, 1991. p. 2.

30. Yi-Yi Cho Woo. p. 22.

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