Why Literature Matters

CONTENTS OF CURRICULUM UNIT 16.02.06

  1. Unit Guide
  1. Introduction
  2. Rationale
  3. Teaching Strategies
  4. Classroom Activities
  5. Resources
  6. Appendix
  7. Bibliography
  8. Endnotes

Creating Connections to Tennessee Williams' A Streetcar Named Desire

Maureen Becker

Published September 2016

Tools for this Unit:

Endnotes

  1. Chicago Public Schools, “Admissions.”
  2. Chicago Public Schools, “Overview.”
  3. International Baccalaureate, Diploma Programme Language A: Literature Guide First Examinations 2013, 13.
  4. James Fisher, “Chekhov, Anton (1860-1904),” 37-38.
  5. Sawyer A. Theriault, “Anton Chekhov and the Development of the Modern Character,” 1.
  6. Ward Morehouse, “A Streetcar Named Desire from the New York Sun,” 25-26.
  7. William Hawkins, “A Streetcar Named Desire from the New York World-Telegram,” 28.
  8. Fitzhugh qtd. by Armantine M. Smith, “The History of the Woman’s Suffrage Movement in Louisiana,” 512.
  9. Nicholas Grene, “Chapter 5: A Streetcar Named Desire: See-Through Representation,” 117.
  10. “A conversation about ‘A Streetcar Named Desire’ with actors Gillian Anderson, Ben Foster, and Vanessa Kirby,” 17:30.
  11. Robert Emmet Jones, “Tennessee Williams’ Early Heroines,” 111.
  12. Annette J. Saddik, The Politics of Reputation: The Critical Reception of Tennessee Williams’ Later Plays, 61.
  13. “Theme: Tennessee Williams, A Streetcar Named Desire,” 16.
  14. Robert C. Small, Jr., A Teacher’s Guide to the Signet Edition of Tennessee Williams’s A Streetcar Named Desire, 15.
  15. Douglas Grudzina, ed., “Formalist Activity Three: Analyzing Motifs and Recurring Images,” 31-33.
  16. Common Core State Standards Initiative, “Reading: Literature » Grade 11-12.”
  17. Ibid.
  18. International Baccalaureate, Diploma Programme Language A: Literature Guide First Examinations 2013, 9.
  19. Ibid.
  20. Ibid., 7-8.
  21. Ibid., 10-12.

Comments:

Add a Comment

Characters Left: 500

Unit Survey

Feedback