Dreaming on Imaginary Stages and Writing Imaginative Scripts: The Magical "If" Fulfilled, in "Hamilton"
Sydney Hunt Coffin
Published September 2016
Endnotes
- Miranda, Lin Manuel & McCarter, Jeremy. Hamilton The Revolution, Hatchette Book Group,
New York: 2016 (196)
- Wolfe, George C., in Digging… (130) by Gottschild, Brenda D.
- Stanislavski, Constantin, An Actor’s Handbook. Theatre Arts Books, New York: 1963.
(94)
- http://www.rollingstone.com/culture/news/questlove-on-hamilton-and-hip-hop-it-takes-one-20150928
- Stanislavski (94)
- http://www.slate.com/blogs/browbeat/2015/09/24/hamilton_s_hip_hop_references_all_the_rap_and_r_b_allusions_in_lin_manuel.html
- Barbara Johnson, The Critical Difference: Essays in the Contemporary Rhetoric of
Reading(Baltimore: Johns Hopkins University Press, 1981).
- Blackwell, A Dictionary of Critical Theory(London, 1996).
- Lorde, Audre. The Master’s Tools…1982(?)
- Amir “Questlove” Thompson in
http://www.rollingstone.com/culture/news/questlove-on-hamilton-and-hip-hop-it-takes-one-20150928 by
____________ (*)
- This is born out in various texts, but in particular
- Stanislavski (149)
- Boriqua Pop. (xiii)
- Schneider, Carl D. Boriqua Pop. (6)
- Habell-Pallan, Michelle & Romero, Mary, editors. Latino/a Popular Culture. NYU Press:
New York, 2002. (128)
- www.MerriamWebster.com
- Hamilton the Revolution (15-16)
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