Notes
1 M. Brandman, “Audre Lorde,” https://www.womenshistory.org/education-resources/biographies/audre-lorde (accessed July 12, 2022).
2 A. Lorde, “The Transformation of Silence Into Language and Action,” in Sister Outsider, 28-32.
3 A. Lorde, “The Transformation of Silence Into Language and Action,” in Sister Outsider, 28-32.
4 J. Harris, “Critical Race Theory Online Limited Edition Print,” https://jonathanharrisart.bigcartel.com/product/critical-race-theory-online-limited-edition-print, 2021 (accessed July 12, 2022).
5 J.R. Donaldson, “Africobra Manifesto? ‘Ten in Search of a Nation,’ ” in Nka Journal of Contemporary African Art.
6 J.R. Donaldson, “Africobra Manifesto? ‘Ten in Search of a Nation.”
7 J.R. Donaldson. “Africobra Manifesto? ‘Ten in Search of a Nation.”
8 E.M. Togba, “Barbara Jones Hogu in Conversation with Edna Togba,” in Nka Journal of Contemporary African Art.
9 B. Jones-Hogu, “To Be Free - Art of SSCAC,” Art of SSCAC, last modified April 9, 2009. https://sites.google.com/site/interpretationtest/Home/to-be-free/to-be-free (accessed July 14, 2022).
10 B. Jones-Hogu, “To Be Free - Art of SSCAC.”
11 W. Jarrell, “Three Queens.” Acrylic on Canvas. Detroit Institute of the Arts, 1971.
12 G. Williams, “I Am Somebody.” Acrylic on canvas. https://kavigupta.com/exhibitions/421-africobra-i-am-somebody-the-peninsula/, 1969. Kavi Gupta gallery.
13 G. Williams, “I Am Somebody.”
14 https://www.youtube.com/watch?v=tu0lNcrZjG8
15 G. Montano, “Bio.” Geralyn Montano. Weebly, https://www.geralynmontano.com/bio.html (accessed May 1, 2022).
16 G. Montano, “Sundance in Red.” San Francisco: Mission Artists, 2011, https://www.missionartists.org/art_pieces/5774?_ga=2.182389031.1006518194.1651415638-1014067173.1651415638 (accessed July 14, 2022).
17 P. Punwani, Geralyn Montano's Explanation of "Sundance in Red," Personal, July 15, 2022.
18 “The Sun Dance – WIWÁŊYAŊG WAČÍPI.” Aktá Lakota Museum & Cultural Center, last modified May 3, 2022. https://aktalakota.stjo.org/seven-sacred-rites/wiwanyang-wachipi-sun-dance/ (accessed July 14, 2022).
19 P. Punwani, Geralyn Montano's Explanation of "Sundance in Red," Personal, July 15, 2022.
20 J. Stern, “Missing and Murdered Indigenous Women: The Colonizing Nature of Law.” Immigration and Human Rights Law Review (blog), last modified October 13, 2021. https://lawblogs.uc.edu/ihrlr/2021/10/13/missing-and-murdered-indigenous-women-the-colonizing-nature-of-law/#:~:text=According%20to%20the%20FBI%2C%2040,youth%20vulnerable%20to%20sex%20trafficking (accessed July 15, 2022).
21 P. Punwani, Geralyn Montano's Explanation of "Sundance in Red."
22 G. Gottfriedson, Garry, Clinging to Bone.
23 G. Gottfriedson, Garry, “And Just Like That,” In Clinging to Bone, 26.
24 C. Jiménez, “Fruity Boys,” 2016, http://www.clotildejimenez.art/about (accessed July 14, 2022).
25 C. Jiménez, “Fruity Boys.”
26 Publicdelivery, “Nick Cave's Soundsuit Sculptures - Everything You Need to Know,” last modified November 6, 2021, https://publicdelivery.org/nick-cave-soundsuits/ (accessed July 14, 2022).
27 Publicdelivery, “Nick Cave's Soundsuit Sculptures - Everything You Need to Know.”
28 N. Bissonauth, “Zanele Muholi's Affective Appeal to Act,” Photography and Culture 7, no. 3 (2014): 240.
29 N. Bissonauth, “Zanele Muholi's Affective Appeal to Act,” 240.
30 N. Bissonauth, “Zanele Muholi's Affective Appeal to Act,” 241.
31 Z. Muholi, Faces and Phases.
32 “The Sahmat Collective: Art and Activism in India since 1989 | Smart Museum of Art.” Smart Museum of Art, https://smartmuseum.uchicago.edu/exhibitions/the-sahmat-collective-art-and-activism-in-india-since-1989/ (accessed May 1, 2022).
33 N. Malani, “Nalini Malani Biography,” https://www.nalinimalani.com/bio.htm, (accessed July 14, 2022).
34 Can You Hear Me? YouTube, YouTube, 2020, https://www.youtube.com/watch?v=edNKZZLTLrw (accessed July 14, 2022)
35 Doulsy, “About,” https://jah-gal.tumblr.com/about, (accessed July 17, 2022).
36 C. Niedan, “The Photographic Confrontations of Fabrice Monteiro: An Interview,” The Mantle, https://www.themantle.com/arts-and-culture/photographic-confrontations-fabrice-monteiro-interviewa (Accessed July 17, 2022).
37 K. Nasir et al., “The Notion of Animism: Some Views from Prophetic Tradition and Western Anthropologist Perspectives,” Humanities & Social Sciences Reviews 7, no. 4 (2019): 348.
38 K. Nasir et al., “The Notion of Animism,” 353.
39https://imageproxy.viewbook.com/6f8f0b856e22a3a3f0ef862c50593dc8_hd.jpg?w=1357&h=906 (accessed July 17, 2022)
40https://imageproxy.viewbook.com/48f24d4e96ff6107dea4b328428b0bd7_hd.jpg?w=1357&h=906 (accessed July 17, 2022)
41https://imageproxy.viewbook.com/f918803544568ee539103368c2725c1f_hd.jpg?w=1357&h=906 (accessed July 17, 2022)
42 A. Weiwei, “Ai Weiwei: The Artwork That Made Me the Most Dangerous Person in China.” The Guardian. Guardian News and Media, February 15, 2018.
43 A. Weiwei, “Ai Weiwei: The Artwork That Made Me the Most Dangerous Person in China,” The Guardian. Guardian News and Media, February 15, 2018.
44 A. Weiwei, “Ai Weiwei: The Artwork That Made Me the Most Dangerous Person in China.”
45 “Project Zero's Thinking Routine Toolbox,” Harvard Graduate School of Education, 2022, http://www.pz.harvard.edu/thinking-routines#WithArtOrObjects, (accessed July 15, 2022).
46 Project Zero, “Values, Identities, Actions,” Last modified 2019, http://www.pz.harvard.edu/resources/values-identities-actions, (accessed July 15, 2022)
47 Project Zero, “Values, Identities, Actions.”
Comments: