Histories of Art, Race and Empire: 1492-1865

Notes

1. Ulrich, Laurel Thatcher, et al. Tangible Things: Making History Through Objects,
2. Miller, Angela et al. American Encounters: Art, History, and Cultural Identity,
3. Blair St. George, Robert. “Witchcraft, Bodily Affliction, and Domestic Space in Seventeenth-Century New England,” 19.
4. Ibid., 18.
5. Ibid.,18.
6. Ibid., 21.
7. Laskaris, Isabelle. “Agency and Emotion of Young Female Accusers in the Salem Witchcraft Trials,” 421.
8. Miller, Angela et al. American Encounters: Art, History, and Cultural Identity,
9. Strazdes, Diana. "Catharine Beecher and the American Woman's Puritan Home," 455.
10. Ibid., 455.
11. Miller, Angela et al. American Encounters: Art, History, and Cultural Identity,
12. Cooke, Edward. Inventing Boston: Design, Consumption, and Production, 1680-1720,
13. Laskaris, Isabelle. “Agency and Emotion of Young Female Accusers in the Salem Witchcraft Trials,” 422.
14. Reed, Isaac. “Why Salem Made Sense: Culture, Gender, and the Puritan Persecution of Witchcraft,” 219-220.
15. Ibid., 220.
16. Chaemsaithong, Krisda."Linguistic and Stylistic Constructions of Witchcraft and Witches: A Case of Witchcraft Pamphlets in Early Modern England."
17. Ibid.
18. Eaton, Scott. “Witches and the Devil in Early Modern Visual Cultures: Constructions of the Demonic Other,” 18.
19. Hughes, Helen M. "The Salem Witchcraft Trials of 1692: Constructing the Female as Irrational Other."
20. Eaton, Scott. “Witches and the Devil in Early Modern Visual Cultures: Constructions of the Demonic Other,” 14.
21. Ibid., 14.
22. “A Rehearsall Both Straung and True, of Hainous and Horrible Actes Committed by Elizabeth Stile, alias Rockingham, Mother Dutten, Mother Deuell, Mother Margaret, Fower Notorious Witches.”
23. Eaton, Scott. “Witches and the Devil in Early Modern Visual Cultures: Constructions of the Demonic Other,” 12.
24. “A Rehearsall Both Straung and True, of Hainous and Horrible Actes Committed by Elizabeth Stile, alias Rockingham, Mother Dutten, Mother Deuell, Mother Margaret, Fower Notorious Witches,” 1.
25. Ibid., 9.
26. Eaton, Scott. “Witches and the Devil in Early Modern Visual Cultures: Constructions of the Demonic Other,” 16.
27. “A Rehearsall Both Straung and True, of Hainous and Horrible Actes Committed by Elizabeth Stile, alias Rockingham, Mother Dutten, Mother Deuell, Mother Margaret, Fower Notorious Witches,” 10.
28. Eaton, Scott. “Witches and the Devil in Early Modern Visual Cultures: Constructions of the Demonic Other,” 17.
29. Ibid., 17.
30. Ibid., 17.
31. Chaemsaithong, Krisda."Linguistic and Stylistic Constructions of Witchcraft and Witches: A Case of Witchcraft Pamphlets in Early Modern England," 199.
32. Ibid., 126.
33. Eaton, Scott. “Witches and the Devil in Early Modern Visual Cultures: Constructions of the Demonic Other,” 14.
34. Chaemsaithong, Krisda."Linguistic and Stylistic Constructions of Witchcraft and Witches: A Case of Witchcraft Pamphlets in Early Modern England," 90.
35. Ibid., 96.
36. Laskaris, Isabelle. “Agency and Emotion of Young Female Accusers in the Salem Witchcraft Trials,” 425.
37. Resistant Reading.”
38. Hwang, Junghyun. "Tituba, “Dark Eve” in the Origins of the American Myth: The Subject of History and Writing about Salem."
39. Ibid.
40. Breslaw, Elaine G. Tituba, Reluctant Witch of Salem: Devilish Indians and Puritan Fantasies, 92-94.
41. Ibid., 96.
42. Ibid., 99.
43. Hughes, Helen M. "The Salem Witchcraft Trials of 1692: Constructing the Female as Irrational Other."
44. Ibid.
45. Laskaris, Isabelle. “Agency and Emotion of Young Female Accusers in the Salem Witchcraft Trials,” 419.
46. Ibid., 422.
47. Ibid., 423.
48. Ibid., 423.
49. Hwang, Junghyun. "Tituba, “Dark Eve” in the Origins of the American Myth: The Subject of History and Writing about Salem."
50. Ibid.
51. Ibid.
52. Ulrich, Laurel Thatcher, et al. Tangible Things: Making History Through Objects, 2.
53. Ibid., 159.
54. “Visual Thinking Strategies.”
55. Ulrich, Laurel Thatcher, et al. Tangible Things: Making History Through Objects, 3.
56. Ibid., 159.