Poetry as Sound and Object

CONTENTS OF CURRICULUM UNIT 24.03.07

  1. Unit Guide
  1. Introduction
  2. Background and Rationale
  3. Content Objectives
  4. Teaching Strategies
  5. Classroom Activities
  6. Resources
  7. Appendix on Implementing District Standards
  8. Notes

Empowering Student Voice through Poetry and Multimedia

Alyssa Lucadamo

Published September 2024

Tools for this Unit:

Notes

  1. Delaware Department of Education. “State Report Cards.”
  2. Renzulli, J. S. (2011). What Makes Giftedness?: Reexamining a Definition.
  3. Payne, Alexander. “Equitable Access for Underrepresented Students in Gifted Education,” 5.
  4. Kaplan, Sandra, Guzman, Irene, and Tomlinson, Carol Ann, eds. Using the Parallel Curriculum Model in Urban Settings, Grades K-8, 3.
  5. Armstrong, James, Peter Lutze, and Laura Woodworth-Ney. “VideoPoetry: Integrating Video, Poetry and History in the Classroom,” 53.
  6. Ibid. 54.
  7. Konyves, Tom. “Videopoetry: A Manifesto,” 4.
  8. Ibid. 6.
  9. Ibid. 5.
  10. Ibid. 7.
  11. Imarishi, Walida, “Wade in the Water.”
  12. Moran, Matthew. “Wading through the Flood: The Transcultural Counterwitness, Hurricane Katrina, and Video Poetry,” 136.
  13. Ibid. 140, 149.
  14. Brooks, Gwendolyn. “We Real Cool.”
  15. Melhem, D.H. Gwendolyn Brooks: Poetry and the Heroic Voice, 129.
  16. Ibid. 128.
  17. Whitman, Walt. “Multitudes.”
  18. Price, Kenneth M. “Walt Whitman and Civil War Washington.”
  19. Gallagher, Tess. “Choices.”
  20. Rankine, Claudia. “From Citizen: Situation 7.”
  21. Moten, Fred. Black and Blur. Consent Not to Be a Single Being, x.
  22. Oczkus, Lori, and Rasinski, Timothy. Close Reading with Paired Texts Secondary: Engaging Lessons to Improve Comprehension, 4.
  23. Armstrong, James, Peter Lutze, and Laura Woodworth-Ney. “VideoPoetry: Integrating Video, Poetry and History in the Classroom,” 53.
  24. Ibid. 56-60.
  25. Light Up Poole. Blue Flash Flash - Film Poem by Jane Glennie, 2018.
  26. Brooklyn College Film Department. “Film Term Glossary.”
  27. Song of America. “The Shift to the Concert Stage: ‘Wade in the Water’ and the American Spiritual.”

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