Notes
[1] Ian Goldsmith, Colour Theory for Artists: Everything you need to know about working with colour, (Ilex Press, 2024), 22.
[2] Camille Viéville, Color: A Master Class. (New York: Flammarion, 2023), 26.
[3] Ian Goldsmith, Colour Theory for Artists, 13.
[4] Jan Kremers and Rigmor C. Baraas, and N. Justin Marshall, eds. Human color vision. Vol. 5. (Berlin/Heidelberg, Germany: Springer, 2016), 111.
[5] Margaret Livingstone, Vision and Art: The Biology of Seeing (New York: Harry N. Abrams, 2002), 64-65.
[6] Jan Kremers et al, Human color vision, 158.
[7] Margaret Livingstone, Vision and Art, 65-67.
[8] Jan Kremers et al, Human color vision, 102.
[9] Margaret Livingstone, Vision and Art, 123.
[10] Margaret Livingstone, Vision and Art, 226.
[11] Ian Goldsmith, Colour Theory for Artists, 62-63.
[12] GR Martin, Katzir G, Visual fields and eye movements in herons (Ardeidae). Brain Behav Evol. 1994;44(2):74-85. doi: 10.1159/000113571. PMID: 7953610.
[13] DK, The Biology Book: Big Ideas Simply Explained (New York: DK, 2019), 113.
[14] Jan Kremers et al, Human color vision, 73-74.
[15] Jan Kremers et al, Human color vision, 158.
[16] Margaret Livingstone, Vision and Art, 124.
[17] Jan Kremers and Rigmor C. Baraas, and N. Justin Marshall, eds. Human color vision. Vol. 5. (Berlin/Heidelberg, Germany: Springer, 2016), 158.
[18] Margaret Livingstone, Vision and Art, 124.
[19] Jan Kremers and Rigmor C. Baraas, and N. Justin Marshall, eds. Human color vision. Vol. 5. (Berlin/Heidelberg, Germany: Springer, 2016), 11.
[20] Jan Kremers and Rigmor C. Baraas, and N. Justin Marshall, eds. Human color vision. Vol. 5. (Berlin/Heidelberg, Germany: Springer, 2016), 11.
[21] Margaret Livingstone, Vision and Art, 69.
[22] Margaret Livingstone, Vision and Art, 69.
[23] Jan Kremers, Human color vision, 6.
[24] Jan Kremers, Human color vision, 3.
[25] DK, The Biology Book: Big Ideas Simply Explained (New York: DK, 2019), 112.
[26] Margaret Livingstone, Vision and Art, 63.
[27] Claire Kathleen Ward, Drawing and Painting Fungi (Wiltshire: The Crowood Press, 2024), 79.
[28] Adam Dant and Brian Clegg, How it All Works: All Scientific Laws and Phenomena Illustrated & Demonstrated (London: Ivy Press, 2021), 143.
[29] James Fox, The world according to colour, 144.
[30] DK, Simply Physics: Facts Made Fast (New York: DK Publishing, 2025), 99.
[31] James Fox, The world according to colour, 144.
[32] DK, The Biology Book: Big Ideas Simply Explained. New York: DK, 2019, 112.
[33] Claire Kathleen Ward, Drawing and Painting Fungi, 79.
[34] Adam Dant and Brian Clegg, How it All Works, 25.
[35] DK, Simply Physics, 150.
[36] Stephen Hawking, A Brief History of Time: From the Big Bang to Black Holes (Toronto: Bantam Books, 1988), 51.
[37] Stuart Firestein,. Ignorance: How It Drives Science (Oxford: Oxford University Press, 2012), 12.
[38] Sarah Barker, 50 Things to See in the Sky. (London: HarperCollins, 2019), 24.
[39] Timothy Gowers and June Barrow-Green, and Imre Leader, eds, The Princeton Companion to Mathematics (Princeton: Princeton University Press, 2008), 844.
[40] DK, Simply Physics: Facts Made Fast (New York: DK Publishing, 2025), 148-149.
[41] Jan Kremers et al, Human color vision, vii.
[42] Wharton, David. "A cultural history of color in antiquity." (2022): 24 -25.
[43] James Fox, The world according to colour: a cultural history. Penguin UK, 2021, 225.
[44] James Fox, The world according to colour, 224.
[45] Claire Kathleen Ward, Drawing and Painting Fungi, 23.
[46] David R. Montgomery and Anne Biklé, The Hidden Half of Nature: The Microbial Roots of Life and Health (New York: W. W. Norton, 2015), 35.
[47] David R. Montgomery and Anne Biklé, The Hidden Half of Nature: The Microbial Roots of Life and Health (New York: W. W. Norton, 2015), 36.
[48] Carole P. Biggam and Kirsten Wolf, eds. A cultural history of color in the Age of Enlightenment, 94.
[49] James Fox, The World According to Color: A Cultural History (New York: St. Martin's Press, 2022), 164.
[50] Jan Kremers and Rigmor C. Baraas, and N. Justin Marshall, eds. Human color vision. Vol. 5. (Berlin/Heidelberg, Germany: Springer, 2016), 265.
[51] David R. Montgomery and Anne Biklé, The hidden half of nature: The microbial roots of life and health. (WW Norton & Company, 2015), 37.
[52] Carole P. Biggam and Kirsten Wolf, eds. A cultural history of color in the Age of Enlightenment (Bloomsbury Publishing, 2022), 129.
[53] Carole P. Biggam et al, A cultural history of color in the Age of Enlightenment, 98-99.
[54] Carole P. Biggam et al, A cultural history of color in the Age of Enlightenment, 93.
[55] Carole P. Biggam et al, A cultural history of color in the Age of Enlightenment, 37.
[56] Jan Kremers, Human color vision, 224.
[57] James Fox, The world according to colour: a cultural history (Penguin UK, 2021), 153.
[58] Kory Stamper, True Color: The Strange and Spectacular Quest to Define Color—from Azure to Zinc Pink (New York: Alfred A. Knopf, 2026), 11.
[59] Tyler Thrasher and Terry Mudge, The Universe in 100 Colours, 205.
[60] Tyler Thrasher and Terry Mudge, The Universe in 100 Colours: Weird and Wondrous Colours from Science and Nature (Portland, OR: Blue Star Press, 2024), 29.
[61] David R. Montgomery, David R., and Anne Biklé, The hidden half of nature: The microbial roots of life and health (WW Norton & Company, 2015), 92.
[62] David R. Montgomery et al. The hidden half of nature, 49.
[63] Tyler Thrasher and Terry Mudge, The Universe in 100 Colours, 222.
[64] Tyler Thrasher and Terry Mudge, The Universe in 100 Colours, 217.
[65] Adam Dant and Brian Clegg, How it All Works: All Scientific Laws and Phenomena Illustrated & Demonstrated (London: Ivy Press, 2021), 83.
[66] DK, Simply Genetics (New York: DK Publishing, 2025), 52.
[67] Gerald S. Wilkinson, Heidi Kahler, and Richard H. Baker. "Evolution of female mating preferences in stalk-eyed flies." Behavioral Ecology 9, no. 5 (1998): 525-533.
[68] DK. The Biology Book: Big Ideas Simply Explained. New York: DK, 2019, 264.
[69] Adam Dant and Brian Clegg, How it All Works: All Scientific Laws and Phenomena Illustrated & Demonstrated (London: Ivy Press, 2021), 144.
[70] Rosalind Ormiston, " Endless Forms: Charles Darwin, Natural Science and the Visual Arts by Diana Donald and Jane Munro (Eds)." The Art Book (2010), 165.
[71] Rosalind Ormiston, "Endless Forms,” 165.
[72] Camille Viéville, Color: A Master Class, 211.
[73] Alexandra Loske, "A cultural history of color in the Age of Industry." (2022): 139.
[74] Alexandra Loske, "A cultural history of color in the Age of Industry”, 139.
[75] Claire Kathleen Ward, Drawing and Painting Fungi, 85.
[76] Claire Kathleen Ward, Drawing and Painting Fungi, 101.
[77] Camille Viéville, Color: A Master Class,158-159.
[78] Camille Viéville, Color: A Master Class, 210.
[79] Camille Viéville, Color: A Master Class, 158.
[80] Fritz Horstman, Interacting with Color: A Practical Guide to Josef Albers's Color Experiments. (New Haven: Yale University Press, 2024), 5.
[81] Margaret Livingstone, Vision and Art: The Biology of Seeing (New York: Harry N. Abrams, 2002), 71.
[82] Camille Viéville, Color: A Master Class, 180.
[83] Camille Viéville, Color: A Master Class, 180.
[84] Kurt Schwitters, Merzbild mit Regenbogen (Merz Picture with Rainbow), 1920–39, mixed media on plywood, Yale University Art Gallery, New Haven, CT, https://artgallery.yale.edu/collections/objects/84135.
[85] Margaret Livingstone, Vision and Art: The Biology of Seeing (New York: Harry N. Abrams, 2002), 227-229.
[86] Margaret Livingstone, Vision and Art, 226.
[87] UC Davis, “UC Davis Stories Geerat Vermeij,” March 23, 2016, http://stories.ucdavis.edu/stories/faculty/vermeij.html.
[88] UC Davis, “UC Davis Stories Geerat Vermeij,” http://stories.ucdavis.edu/stories/faculty/vermeij.html.
[89] Claire Kathleen Ward, Drawing and Painting Fungi, 81.
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