The Art of Reading People: Character, Expression, Interpretation

CONTENTS OF CURRICULUM UNIT 11.01.09

  1. Unit Guide
  1. Introduction
  2. Background
  3. Rationale
  4. The Science Behind Connecting to Literature
  5. Opening Up the Character Analysis Toolkit
  6. Strategies
  7. Introduction to the Unit
  8. Activity: Nonverbal Communication
  9. Socratic Seminar: Langston Hughes' "Mother to Son"
  10. Collaborative Activity: Interpreting Character Change in the Short Story "Shells"
  11. Character Journals and the Novel Indigo
  12. Culminating Activity: Take a Walk in My Shoes
  13. Notes
  14. Common Core Standards for Fifth Grade
  15. Resources on the Web for Teachers

Reading Between the Lines: The Secret Lives of Characters

Nancy Ventresca

Published September 2011

Tools for this Unit:

Collaborative Activity: Interpreting Character Change in the Short Story "Shells"

This activity makes use of a "Numbered Heads" strategy and a short story by Cynthia Rylant. The objective is for students to apply what they have learned about reading character to trace the change in two main characters in this short story. Part of the activity is independent and part requires collaboration with a partner.

Begin by "numbering heads", having students count off "one, two, one, two", etc. All the ones will read the first part of the story, analyzing the characters, while the twos will read the second part of the story, also analyzing the characters. After everyone has had time to read and analyze, the ones and twos will get back together to discuss the differences in the characters. As a whole class, discuss these changes and the possible reasons for them, focusing on evidence from the text.

My students have access to computers, so they will organize their thoughts using the software program Inspiration. For each character, students will focus on four things: thoughts/dreams, words (things the character might say), feelings (what does the character love or feel strongly about?) and future (where does the character appear to be headed?). Figurative language, symbols, and images are also encouraged to be included. This work will facilitate the discussion when the two "halves" of the story get back together.

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