Invisible Cities: The Arts and Renewable Community

CONTENTS OF CURRICULUM UNIT 13.04.04

  1. Unit Guide
  1. Introduction
  2. Content objectives
  3. Background
  4. Rationale
  5. Queen cities, a teacher's travel story
  6. Walking in the city
  7. The urgency for narrative through digital storytelling
  8. Class activity
  9. Classroom activity
  10. The poetry of the city is visible and invisible
  11. Probing for travel stories through collage writing
  12. Class activity
  13. Contempary artists as urban geographers
  14. Class activity
  15. Oral poetry
  16. Class activity
  17. Annotated lists of resources
  18. Materials for the classroom
  19. Appendix of state standards
  20. Notes

Travel Stories: Mapping the Vision, Walking the Journey

Gloria Brinkman

Published September 2013

Tools for this Unit:

Notes

1. Italo Calvino, Invisible Cities, 137

2. Michel de Certeau, The Practice of Everyday Life, 93.

3. Sergio Munoz Bata, "We Are All Immigrants Now", Americas Quarterly, website.

4. Michel de Certeau, The Practice of Everyday Life, 95.

5. Ibid, 115.

6. Ibid

7. Ibid

8. Michel de Certeau, The Practice of Everyday Life, 116.

9. Erving Goffman, The Presentation of Self in Everyday Life, 111.

10. Ibid, 112.

11. Michel de Certeau, The Practice of Everyday Life, 121.

12. Ibid, 117.

13. High Museum of Art website.

14. Michel de Certeau, The Practice of Everyday Life, 120.

15. Ibid,121.

16. Katharine Harmon, The Map as Art, 15

17. Italo Calvino, Invisible Cities, 138.

18. Ibid, 54.

19. Cincinnati Historical Society, website.

20. Wikipedia, Charlotte, North Carolina.

21. Italo Calvino, Invisible Cities, 45.

22. Michel de Certeau, The Practice of Everyday Life, 97.

23. Ibid, 98.

24. David Pinder, "Ghostly Footsteps: Voices, Memories and Walks in the City", 2.

25. Ibid

26. Michel de Certeau, The Practice of Everyday Life, 99.

27. David Pinder, "Ghostly Footsteps: Voices, Memories and Walks in the City", 5.

28. Michel de Certeau, The Practice of Everyday Life, 98.

29. Darcy Alexandra, "Digital storytelling as transformative practice: Critical analysis and creative expression in the representation of migration in Ireland", Journal of Media Practice, 101.

30. Ibid, 102.

31. Ibid

32. Ibid

33. Ibid

34. Michel de Certeau, The Practice of Everyday Life, 100.

35. Darcy Alexandra, "Digital storytelling as transformative practice: Critical analysis and creative expression in the representation of migration in Ireland", Journal of Media Practice, 103.

36. Michel de Certeau, The Practice of Everyday Life, 97.

37. Lawrence Ferlinghetti, San Francisco Poems, 10-11.

38. Ibid, 8.

39. Luci Tapahonso, Blue Horses Rush In, 79.

40. Peter Elbow, Writing with Power, 148.

41. Ibid, 150.

42. Lawrence Ferlinghetti, San Francisco Poems, 37.

43. Luci Tapahonso, Blue Horses Rush In, 33.

44. Ibid, 153.

45. Italo Calvino, Invisible Cities, 45.

46. Katharine Harmon, The Map as Art, 10.

47. Ibid

48. Kathryn Brown, "The Artist as Urban Geographer", American Art, 4.

49. Ibid, 3.

50. Michel de Certeau, The Practice of Everyday Life, 98.

51. Kathryn Brown, "The Artist as Urban Geographer", American Art, 4.

52. Ibid, 5.

53. Italo Calvino, Invisible Cities, 44.

54. David Bergman and Daniel Mark Epstein, The Heath Guide to Poetry, 1.

55. Ibid, 2.

56. Ibid

57. Ibid, 3

58. Ibid, 15.

59. Ibid

60. Ibid, 17.

61. Ibid, 19.

62. Lawrence Ferlinghetti, San Francisco Poems, 59.

63. Luci Tapahonso, Blue Horses Rush In, 79.

64. Ibid, 17.

65. Ibid, 22.

66. Ruth Finnegan, Oral Poetry, 28.

67. Ibid

68. Ibid, 91.

69. Wikipedia, metre.

70. David Bergman and Daniel Mark Epstein, The Heath Guide to Poetry, 466.

71. Wikipedia, metre.

72. Ruth Finnegan, Oral Poetry, 91.

73. Ibid, 92.

74. Luci Tapahonso, Blue Horses Rush In, 40.

75. Ruth Finnegan, Oral Poetry, 129.

76. David Bergman and Daniel Mark Epstein, The Heath Guide to Poetry, 22.

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