Resistance from Aristotle to Star Wars

CONTENTS OF CURRICULUM UNIT 26.04.01

  1. Unit Guide
  1. Introduction
  2. Teaching Situation & Rationale
  3. Unit Content
  4. Power, Authority, And Legitimacy
  5. Tyranny As Political And Personal Disorder
  6. Law, Conscience, And The Limits Of Obedience
  7.  emergency, Power, And Restraint
  8. Empire, Language, And Silence
  9. Systems, Land, And Collective Resistance
  10. Humiliation And The Moral Complexity Of Resistance
  11. Abolition, Revolution And Moral Voice
  12. The Student Text: Wings Of Fire: The Dragonet Prophecy
  13. Letter Writing As A Form Of Resistance
  14. Teaching Strategies
  15. Classroom Activities/application And Final Product
  16. Suggested Five-week Sequence
  17. Appendix: Implementing Grade 5 English Language Arts Standards
  18. Bibliography 
  19. Endnotes

Voices of Resistance: Letters from the Dragon World

Julian Lopez Carmona

Published September 2026

Tools for this Unit:

Letter Writing As A Form Of Resistance

Letters are central to the unit because they make audience and purpose visible. A letter is written by someone, to someone, in a specific situation, for a reason. Students will learn the five conventional parts of a letter: heading, greeting, body, closing, and signature. However, the real focus is a voice choice. How a character chooses words to reveal fear, loyalty, anger, hope, uncertainty, or a demand for change.

The unit will introduce four types of letters. A private reflection that allows a character to name fears and doubts that cannot yet be spoken publicly. A warning or advice letter asking another character to recognize danger. A petition letter addressing a person in authority and requests a specific change. A public appeal letter speaking to a wider community and attempting to redefine a conflict. These will connect literary analysis to the rhetorical traditions represented by Walker, political letters, abolitionist appeals, and civic activism. These forms will allow students to practice writing across audience and purpose.

For these letters, students will use a “voice triangle” [29] before drafting: Character identity, audience relationship, and purpose. They will also select evidence from the novel and explain how the character would interpret that evidence. In this way, students move from literary analysis to rhetorical choice. Advanced writers may integrate counterarguments, recurring imagery, or rhetorical appeals.

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