The Art of Biography

CONTENTS OF CURRICULUM UNIT 13.03.07

  1. Unit Guide
  1. Context
  2. Rationale
  3. Guiding Question
  4. My Biography Assumptions
  5. Objective
  6. Curricular Plan
  7. My biography reeducation
  8. Using pictures to tell the story
  9. Walt Disney
  10. Basic Structure of Class Time
  11. Strategies
  12. Activities
  13. Bibliography
  14. Appendix
  15. Notes

A picture is worth a thousand words: Rediscovering biography

Audra K. Bull

Published September 2013

Tools for this Unit:

My Biography Assumptions

For the nine years that I actually facilitated students' efforts during the Brotherhood project, I operated under two overarching assumptions. I taught my seventh grade students how to find biographical research, take notes, organize their notes, transfer those notes into a five paragraph essay, and then properly cite their sources using the MLA format. I am embarrassed to say that not once in those nine years did I ever think to teach the children about how a biography (and thus their essay and oral presentation), while technically non-fiction, is really a story complete with all of the elements of fiction, those juicy details, that make a story worth reading. In hindsight, through the years, some students inherently understood this distinction but a large majority did not.

The second assumption I made was that the students could and would automatically make the text-to-self connection. As Nigel Hamilton explained in How To Do Biography: A Primer, "…the intrinsic aim of biography…[is] to penetrate the moral core of a life, to interpret it – and thereby not only learn facts and information but acquire insight and lessons that could be serviceable in one's own life, either as warnings or inspiration." 1 I believed the very structure of the Brotherhood project 2 facilitated this connection. It was not until reading Hamilton's book I discovered what had been missing in the performance of my students, which harkened back to the Jack Webb "Just the Facts" days. 3 My students did not tell anecdotal stories either in their written or oral presentations that highlighted their character's trials in such a way as to be personally instructive.

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