Art, Design, and Biology

CONTENTS OF CURRICULUM UNIT 25.01.06

  1. Unit Guide
  1. Introduction
  2. Rationale:
  3. Demographics of Shields Middle School:
  4. Background Knowledge and Content Objectives: 
  5. What Was the Purpose of a Zoo and How Has It Evolved?
  6. The work of Lorie Hogin Image 4: 
  7. Teaching Strategies: 
  8. Classroom Activities:
  9. Component 1: Zoological Exploration
  10. Component 2: Historical Context and Visual Culture
  11. Component 3: Cultural Heritage and Alebrijes
  12. Component 4: Contemporary Critique Through Art – Lori Hogin
  13. Component 5: Artistic Production and Synthesis
  14. Final Week: Student-Led Critique, Reflection, and Exhibition
  15. How I Hope to Use My Research with Students
  16. Annotated Bibliography
  17. With Gratitude:

Alebrijes: Where Science Meets Art

Francisco Liam Nuno

Published September 2025

Tools for this Unit:

Teaching Strategies: 

The inspiration for this unit emerged from both professional experience and personal reflection. As an educator with a longstanding interest in zoology and biology—subjects I excelled in as a student and continue to explore—I have come to see the profound connections between scientific inquiry and artistic expression. At its core, this unit leverages art not only as a mode of representation but as a critical tool for analysis, reflection, and activism. Art becomes a vehicle through which students can mirror, interpret, and even question ecological systems and their destruction.

The work of contemporary artist Lori Hogin serves as a powerful anchor for this approach. Her paintings—featuring mutated animals rendered in nineteenth-century visual styles—are both accessible and intellectually provocative. Through the depiction of radioactive rabbits and neon-colored deer, Hogin invites viewers to confront themes of environmental degradation, consumerism, and genetic manipulation. Her work offers an ideal entry point for middle school learners: visually engaging, richly layered, and politically relevant.

In dialogue with Hogin’s visual commentary, this unit incorporates the vibrant Mexican folk tradition of Alebrijes—fantastical hybrid creatures originally conceived by artist Pedro Linares in a fever dream. By blending these traditions, the unit affirms students’ cultural identities while encouraging them to explore scientific concepts through storytelling and visual creation. Students are invited to synthesize personal symbolism, ecological awareness, and anatomical observation as they design their own hybrid creatures.

Pedagogically, this unit is grounded in the Illinois Arts Learning Standards, particularly Anchor Standard 1: Generate and conceptualize artistic ideas and work, which emphasizes that creativity and innovative thinking are essential life skills that can be cultivated through intentional practice. Instructional activities are designed to foster cross-curricular connections between art, science, and culture while affirming the diverse experiences and knowledge students bring to the classroom.

Guided by the following essential questions—What conditions, attitudes, and behaviors support creativity and innovation? What factors encourage or inhibit creative risk-taking? How does collaboration enhance the creative process?—students are encouraged to reflect on their own creative journeys. These questions support individual and group exploration of hybrid animal forms, rooted in both biological accuracy and cultural imagination.

Ultimately, the flexibility of this unit allows for adaptation across a wide range of cultural contexts, making it especially relevant for classrooms that prioritize student voice, heritage, and inclusive learning. Through the study of both historical and contemporary artists and the creation of original Alebrijes, students develop critical thinking, conceptual depth, and collaborative skills—preparing them to engage with the world through both scientific and artistic lenses.

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