Why Literature Matters

CONTENTS OF CURRICULUM UNIT 16.02.09

  1. Unit Guide
  1. Introduction
  2. Background
  3. Rationale
  4. Why Culturally Relevant Literature
  5. Identity and Selfhood
  6. Otherness in the Context of American Identity
  7. Issues of Identity in Catfish and Mandala 
  8. Strategies and Activities
  9. Appendix A: Teacher Resources
  10. Appendix B: Teacher Resources
  11. Appendix C: Teacher Resources
  12. Appendix D: Teacher Resources
  13. Appendix E: Teacher Resources
  14. Appendix F: Teacher Resources
  15. Appendix G: Implementing Common Core State Standards
  16. Bibliography
  17. Notes

Who Am I?: Culturally Relevant Text and American Identity

Mark Holston

Published September 2016

Tools for this Unit:

Appendix E: Teacher Resources

Saigon Passage

What do the diction, imagery, details, syntax, and figurative language reveal about Andrew Pham’s attitude (tone) about Saigon.

The Saigon I see isn’t visceral.  I’d be deceiving you if I took your hand to walk you through it.  It isn’t just something you see.  It’s what you feel, an echo in the blood that courses through you.  It is a collage, a vanishing flavor, a poison, a metallic tinge, a barbarous joy, strange impressions unconvictable in the usual conventions.

It is easy for me to say because I am cowering in a bar, exclusive, situated high above the muck.  Easy, for today I was wounded, my armor finally pierced.  Now, through this tinted window, I see a Saigon evening like the dozens of others before.  I see the setting sun grinding down on the ancient tree tops and the prickly antennas atop the shouldering buildings.  It glowers, a fist of coal in a sea of smog thick as dishwater.  In the glimmering heat, the narrow roads swarm with headlights of motorbikes, bright beams wildly fingering the asphalt arteries, companions of the horns, the screeching, badgering, warring horns, persistent always.  The air throbs, salty, wet with exhaust, dank with perspiration.  The people, the skinny dark people suffocate, enduring.

Kiosks hedge the street, no sidewalks, catching the drift of humanity churned up by traffic.  The sandwich makers, old ladies with oily hands, dusty skin like yesterday’s bread, lather pork fat onto tiny loaves.  On the curbs, the shirtless men sun-jerked sinew in boxer shorts and rubber sandals, squatting on their hams, grill meat over coals in metal pans.  A dog, patchy fur over ribs, sniffs the droppings of another.  In an alley, a mother and daughter fry dough cakes, selling them wrapped in dirty newspapers.  Next to them, laborers hunch on plastic footstools slurping noodle soup from chipped bowls.  They are watching an American travelogue dubbed in Vietnamese.  Tonight, we tour Yosemite and luxuriate in the hospitality of the Ahwahnee Hotel.

People shout, curse, barter, laugh, whine, edging words into the traffic, hustling for money.  The buildings press narrow, ten feet wide, and stretch thrice as long, every other one a storefront, open for business, selling, selling, selling anything, everything.  Food, paper, spare screwdrivers, wrenches, rice dishes, Coca-Cola, cigarettes, gasoline in soda bottles, penny-lottery tickets, imported tins of biscuits, and everything has a buyer, everyone is for sale.

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